A work in constant progress (and occasional regress).
Co-director of the documentary “Carta a una sombra” (2015) winner of two India Catalina awards and based in the novel by Hector Abad Faciolince “El olvido que seremos”. Her second movie, The smiling Lombana, was the opener of the FICCI 2018. She has been the director of the short films “Das ist kunst” (2016) and “Our Father” (2015) and producer of the documentary “Corte de hombre” (2017) directed by Manuel Villa. In 2018, she founded with Laura Mora, Mirlanda Torres, Pablo Mora and Manuela Villa the production company La Selva Cine; at this same year she won the FDC´s grant for short film production to make her most recent work “La Cama”.
Assistant Director:
2012 Daria en la dimensión desconocida
Associate Producer:
2012 Daria en la dimensión desconocida
2022 The Kings of the World
Director:
2012 Daria en la dimensión desconocida
2015 Carta a una sombra
2015 Our Father
2018 The Smiling Lombana
2020 The Bed
2022 The Kings of the World
Executive Producer:
2012 Daria en la dimensión desconocida
2015 Carta a una sombra
2015 Our Father
2018 The Smiling Lombana
2020 The Bed
2022 The Kings of the World
Producer:
2012 Daria en la dimensión desconocida
2015 Carta a una sombra
2015 Our Father
2017 Men's Haircut
2018 The Smiling Lombana
2020 The Bed
2022 The Kings of the World
Writer:
2012 Daria en la dimensión desconocida
2015 Carta a una sombra
2015 Our Father
2017 Men's Haircut
2018 The Smiling Lombana
2020 The Bed
2022 The Kings of the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.