A work in constant progress (and occasional regress).
Alias:
Greg Masuak
Born:
September 11, 1967
From music videos to commercials, film, television and stage - writer/director Gregg Masuak's award-winning career is as eclectic as his Canadian-Australian-English-American life. Graduating with a Certificate of Cinematography (NSTC) and a BA in Communications (NSW Institute of Technology), Masuak initially gained the attention of music executives with his earliest, avant-garde shorts, launching a career that found him directing such icons as Spice Girls and Kylie Minogue, Celine Dion, Joe Cocker and Take That. His passion for bringing out the best in people earned him a Juno and two MTV Awards and subsequently led the ad industry to his doorstep. Finding that psychological sweet spot advertisers and performers were seeking, Masuak put his stamp on such diverse brands as Emporio Armani, Barclays, Olay and NEC, working with actors like Courtney Cox, Salma Hayek and Penelope Cruz. More recently The Independent and The Huffington Post dubbed his Aids Alliance "Come Together" spot as "one of the most provocative ads to be screened on British television." Masuak's short films have earned acclaim at the London International Film Festival as well as the Gold Hugo at the Chicago International Film Festival. Upping the ante on this wealth of hands-on experience Masuak is now producing and gearing up to direct several self-penned feature film and TV projects, notably "Flycatcher", a darkly comic thriller, and "Canoga Faults", a 1-hour comedy-drama.
Associate Producer:
2022 Morris Men
Director:
2002 Eros Ramazzotti: Stilelibero
2022 Morris Men
Director of Photography:
2002 Eros Ramazzotti: Stilelibero
2022 Morris Men
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.