A work in constant progress (and occasional regress).
Alias:
O. Funmilayo Makarah
O.Funmilayo Makarah is a writer and director of films and videos that explore cultural identity, as well as an educator. She came to Los Angeles in 1974 and entered the UCLA School of Theater, Film and Television. After spending a decade in Europe, she returned to the MFA program in the late-1980s. She later founded In VISIBLE COLORS, a network of film and video makers. In 1988, Makarah wrote and directed the short video DEFINE, a piece which examines ethnic female identity. She later made The Joke Series (1994), which was shown at the School of Art Institute in Chicago, and Creating a Different Image: Portrait of Alile Sharon Larkin (1989), a short that affirms Larkin’s identity as an artist. She also made a video installation on the Rodney King incident for the California African American Museum in Los Angeles. Makarah has contributed scholarly works on race, representation and media to various publications, such as Black Women Film & Video Artists (Routledge, 1998) and Afterimage. She has also served as director and founder of the Heritage Film Festival in Prince George’s County, Maryland, as well as Chair of the Media Committee for the Cultural Affairs Dept. of the City of Los Angeles. Makarah is also a founding member of L.A. Freewaves, a worldwide media arts organization.
Cinematography:
2006 L.A. in My Mind
Director:
1977 Survival: The Black African Theatre Project '77
1978 Ritual for Third World Women Artists
1988 . . . Just Names . . . Just Names
1988 Define
1989 Creating a Different Image: Portrait of Alile Sharon Larkin
1992 Fired-Up or How I Turned My Rage Into Art
2006 L.A. in My Mind
Editor:
1977 Survival: The Black African Theatre Project '77
1978 Ritual for Third World Women Artists
1988 . . . Just Names . . . Just Names
1988 Define
1989 Creating a Different Image: Portrait of Alile Sharon Larkin
1992 Fired-Up or How I Turned My Rage Into Art
2006 L.A. in My Mind
Producer:
1977 Survival: The Black African Theatre Project '77
1978 Ritual for Third World Women Artists
1988 . . . Just Names . . . Just Names
1988 Define
1989 Creating a Different Image: Portrait of Alile Sharon Larkin
1992 Fired-Up or How I Turned My Rage Into Art
2006 L.A. in My Mind
Writer:
1977 Survival: The Black African Theatre Project '77
1978 Ritual for Third World Women Artists
1988 . . . Just Names . . . Just Names
1988 Define
1989 Creating a Different Image: Portrait of Alile Sharon Larkin
1992 Fired-Up or How I Turned My Rage Into Art
2006 L.A. in My Mind
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.