A work in constant progress (and occasional regress).
Birthplace:
Maryland, USA
Chris Robinson is a film director working mostly with music videos and commercials. He has directed commercials for brands such as iPod, Coca Cola and Verizon and music videos for songs like "Fallin'" and "You Don't Know My Name" by Alicia Keys, "Roc Boys" by Jay-Z, the grammy nominated video for "One Mic" by Nas, and "Bonnie & Clyde '03" by Jay-Z featuring Beyoncé Knowles. He is also known for the creation of the concept "Boost Mobile" ad campaigns featuring rap superstars such as Kanye West, Ludacris, The Game, Eve, and others. Kevin Hart's scripted comedy "Real Husbands of Hollywood" was Chris Robinson's' first foray into directing a 30 minute comedy for television. The show went for 5 seasons and garnered a true cult following. Chris directed BETs highest-rated program in network history "The New Edition Story" which received a NAACP Image Award. The project also launched the career of Stranger Things actor Caleb McLaughlin. Robinson directed Barack Obama's White House concert "Love & Happiness" followed by the Amazon Prime pilot "The Climb", and became co-executive producer of the Fox/Lee Daniels one hour drama "STAR". Robinson has produced and directed several episodes of television including Black-ish, Grown-ish, Mixed-ish, and American Soul. In 2018 Robinson directed the Netflix coming of age film "Beats" starring Anthony Anderson, Uzo Aduba and newcomer Khalil Everage. The film examines mental health and the effects of trauma experienced by a musical prodigy living on the Southside of Chicago. Imagine Entertainment and Hulu tapped Robinson to co-produce and direct the pilot episode of Wu Tang: An American Saga. The show has been picked up for a second season. In the multi-cam world, Robinson directed comedy specials for Tiffany Haddish "From the Hood to Hollywood" as well as Yvonne Orji's first HBO comedy special title "Momma I Made It." Chris recently Dave Chappelle's "The Mark Twain Prize for American Humor," which was nominated for an Emmy. Lebron James SpringHill Entertainment and Universal Pictures has partnered with Chris Robinson to produce/direct the coming of age story of Lebron James high school years called "Shooting Stars". Robinsons Robot Film Company is currently developing several projects including a scripted series that examines the unscrupulous world of music video in the late 90's and early 2000's.
Director:
2005 Rhythm City Volume One: Caught Up
2006 ATL
2011 Young Jeezy: A Hustlerz Ambition
2016 BET Presents Love & Happiness: An Obama Celebration
2017 Tiffany Haddish: She Ready! From the Hood to Hollywood!
2019 Beats
2020 Dave Chappelle: The Kennedy Center Mark Twain Prize
2022 The Greatest Mixtape Ever
2023 Shooting Stars
Co-Executive Producer:
2017 The Climb
Director:
2014 black-ish
2016 Star
2017 The Climb
2017 The New Edition Story
2018 grown-ish
2019 Wu-Tang: An American Saga
2019 mixed-ish
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.