A work in constant progress (and occasional regress).
Color Grading:
2014 Tahar Chériaa: A l'Ombre du Baobab
Colorist:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Game Therapy
VFX Artist:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Game Therapy
2020 A New Perspective
VFX Supervisor:
2012 The Worst Christmas of My Life
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 An Italian Name
2015 Game Therapy
2016 Tiramisu
2020 A New Perspective
2024 The Flood
Visual Effects:
2002 Casomai
2012 The Worst Christmas of My Life
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 An Italian Name
2015 Game Therapy
2016 Tiramisu
2020 A New Perspective
2024 The Flood
Visual Effects Supervisor:
2002 Casomai
2004 Eyes of Crystal
2012 The Worst Christmas of My Life
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 An Italian Name
2015 Game Therapy
2016 Gold
2016 Tiramisu
2017 Keep Watching
2018 That's Life
2018 There's No Place Like Home
2019 Ford v Ferrari
2020 A New Perspective
2020 I Hate Summer
2021 I Fratelli De Filippo
2021 Jungle Cruise
2021 My Body Will Bury You
2022 Black Adam
2022 Where Life Begins
2023 My Brother and I
2024 The Flood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.