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Dianna Barrie

Birthplace:
Melbourne, Australia

Biography from TheMovieDB

Dianna Barrie (Australia; b. 1972, Melbourne) found her way into filmmaking as a middle ground between the pursuit of abstract music and philosophy, both of which she has studied formally at the postgraduate level. Ever pushing the limits of the hand processing of Super-8mm led to the establishment of Nanolab with Richard Tuohy in 2006. Dianna's film work could perhaps be characterised as "direct chemical" filmmaking. In 2012, Dianna helped establish Artist Film Workshop, where celluloid is embraced and advocated by a community of practitioners in Melbourne. As a notable figure in the international artist-run film labs movement, she and her partner spend a significant amount of time each year touring their joint film programs and conducting workshops and masterclasses in hand-made film practice. Dianna was also a founding director of the Australian International Experimental Film Festival.

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Additional information:

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Film Production

Director:
2014  Blue Line Chicago
2016  The Last Train
2017  Inside the Machine
2017  Pancoran
2018  China Not China
2018  Cyclone Tracery
2019  Valpi
2020  Self Portrait with Bag
2021  South Point
2022  Intersection
2023  Bus Turning
2023  Like a Lighthouse
2024  Fear of Floating
2024  The Land at Night
2024  To Cell

Music:
2014  Blue Line Chicago
2016  The Last Train
2017  Inside the Machine
2017  Pancoran
2018  China Not China
2018  Cyclone Tracery
2019  Valpi
2020  Self Portrait with Bag
2021  South Point
2022  Intersection
2023  Bus Turning
2023  Like a Lighthouse
2024  Fear of Floating
2024  The Land at Night
2024  To Cell

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.