A work in constant progress (and occasional regress).
Birthplace:
Golfe-Juan, Vallauris, France
Born:
February 12, 1936
Martial Raysse is a prominent French Nouveau Realist artist. Working with found-object assemblages, advertising imagery, and the elevation of kitsch to fine art, Raysse is often viewed as a predecessor of the Pop Art movement. His later works consisted of elaborate paintings fit with working neon lights, often featuring bright colors and Arcadian settings akin to the work of Nicholas Poussin. Born on February 12, 1936 in Golfe-Juan, France to a family of ceramicists, he started writing poetry and painting at an early age. By 1960, Raysse was a founding member of the Nouveau Realism movement, alongside artists such as Yves Klein and Jean Tinguely. The group sought to utilize and transform the industrial scale of consumer society in their own work, and exploit readymade materials for the purposes of conceptual and formal concerns. Today, Raysse’s work is held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, and the Hirshhorn Museum in Washington, D.C., among others. He lives and works in Issigeac, France.
Director:
1967 Jesus-Cola
1967 Portrait Electro Machin Chose
1968 Homero Presto
1969 Camembert Martial Extra-doux
1971 Pig Music
1972 The Big Departure
1976 Lotel des folles Fatmas
1977 Intra muros
1980 La petite danse
1981 Sous un arbre perché
1995 Mon petit coeur
2005 Ex-voto
2008 Re-Fatma
Editor:
1967 Jesus-Cola
1967 Portrait Electro Machin Chose
1968 Homero Presto
1969 Camembert Martial Extra-doux
1971 Pig Music
1972 The Big Departure
1976 Lotel des folles Fatmas
1977 Intra muros
1980 La petite danse
1981 Sous un arbre perché
1995 Mon petit coeur
2005 Ex-voto
2008 Re-Fatma
Writer:
1967 Jesus-Cola
1967 Portrait Electro Machin Chose
1968 Homero Presto
1969 Camembert Martial Extra-doux
1971 Pig Music
1972 The Big Departure
1976 Lotel des folles Fatmas
1977 Intra muros
1980 La petite danse
1981 Sous un arbre perché
1995 Mon petit coeur
2005 Ex-voto
2008 Re-Fatma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.