A work in constant progress (and occasional regress).
Born:
July 26, 1965
Delaney Ruston is a filmmaker, author and Stanford trained physician who has spent the past 25 years creating award-winning documentaries for social change--particularly on topics concerning mental health. Her most recent award-winning films include Screenagers, about solutions for healthy screen time, Screenagers NEXT CHAPTER, about teen mental health, and Screenagers Under the Influence, about vaping, drugs, and alcohol in the digital age. To date, over 14 million youth and adults have gathered for community screenings of these films in 104 countries. As a trusted expert on the area of youth and screen time, Delaney has been invited to speak at places such as Google, Facebook, The Aspen Institute, many national conferences, and medical and academic centers. Her views are often in the press, such as Good Morning America, NPR, New York Times and many others. Her award winning PBS films Unlisted: A Story of Schizophrenia, about her father, and Hidden Pictures, about global mental health were both the focus of advocacy campaigns, including with the World Health Organization. For her work in mental health advocacy Ruston has won several awards including from Harvard and Mental Health America. Ruston, who is a Fulbright scholar, previously was a researcher in human communication and bioethics at UC San Francisco and then was faculty at the University of Washington School of Medicine followed by Stony Brook School of Medicine, New York. Alongside filmmaking, Ruston has been providing care to underserved teens and adults in Seattle for the past 20 years.
Cinematography:
2016 Screenagers
2019 Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
Director:
2010 Unlisted: A Story of Schizophrenia
2016 Screenagers
2019 Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
2023 Screenagers Under The Influence: Vaping, Drugs, and Alcohol in the Digital Age
Editor:
2010 Unlisted: A Story of Schizophrenia
2016 Screenagers
2019 Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
2023 Screenagers Under The Influence: Vaping, Drugs, and Alcohol in the Digital Age
Executive Producer:
2010 Unlisted: A Story of Schizophrenia
2016 Screenagers
2019 Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
2023 Screenagers Under The Influence: Vaping, Drugs, and Alcohol in the Digital Age
Producer:
2010 Unlisted: A Story of Schizophrenia
2016 Screenagers
2019 Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
2023 Screenagers Under The Influence: Vaping, Drugs, and Alcohol in the Digital Age
Writer:
2010 Unlisted: A Story of Schizophrenia
2016 Screenagers
2019 Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
2023 Screenagers Under The Influence: Vaping, Drugs, and Alcohol in the Digital Age
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.