A work in constant progress (and occasional regress).
Birthplace:
Porto, Portugal
Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Since 2011, César has been researching the origins of cinema in Guinea-Bissau, developing that research into the collective project Luta ca caba inda (The struggle is not over yet). She was a participant of the research projects Living Archive and Visionary Archive, both organised by the Arsenal - Institute for Film and Video Art, Berlin. Her last film MANGROVE SCHOOL (2022), co-directed with Sónia Vaz Borges, was selected at Cinéma du Réel.
Co-Writer:
2018 Sunstone
Director:
2007 Rapport
2010 Insert
2010 Porto, 1975
2011 The Embassy
2012 Cacheu
2012 Conakry
2012 Cuba
2014 Mined Soil
2014 Regulado
2015 Transmission from the Liberated Zones
2016 Navigating the Pilot School
2017 Spell Reel
2018 Sunstone
2020 Quantum Creole
2022 Mangrove School
2024 Resonance Spiral
Director of Photography:
2007 Rapport
2010 Insert
2010 Porto, 1975
2011 The Embassy
2012 Cacheu
2012 Conakry
2012 Cuba
2014 Mined Soil
2014 Regulado
2015 Transmission from the Liberated Zones
2016 Navigating the Pilot School
2017 Spell Reel
2018 Sunstone
2020 Quantum Creole
2022 Mangrove School
2024 Resonance Spiral
Editor:
2007 Rapport
2010 Insert
2010 Porto, 1975
2011 The Embassy
2012 Cacheu
2012 Conakry
2012 Cuba
2014 Mined Soil
2014 Regulado
2015 Transmission from the Liberated Zones
2016 Navigating the Pilot School
2017 Spell Reel
2018 Sunstone
2020 Quantum Creole
2022 Mangrove School
2024 Resonance Spiral
Producer:
2007 Rapport
2010 Insert
2010 Porto, 1975
2011 The Embassy
2012 Cacheu
2012 Conakry
2012 Cuba
2014 Mined Soil
2014 Regulado
2015 Transmission from the Liberated Zones
2016 Navigating the Pilot School
2017 Spell Reel
2018 Sunstone
2020 Quantum Creole
2022 Mangrove School
2024 Resonance Spiral
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.