A work in constant progress (and occasional regress).
Alias:
Sophie Farkas-Bolla
Birthplace:
Montreal, Quebec, Canada
Sophie Farkas Bolla is a Canadian film editor based in Montreal, Quebec.
Assistant Editor:
2012 The Factory
Director:
2012 The Factory
2015 When Monsters Were Real
2023 Adventures in the Land of Asha
Editor:
2008 Antoine
2012 The Factory
2015 Amazing Grace
2015 Fragments
2015 When Monsters Were Real
2016 Angry Inuk
2016 Letters to the Prime Minister
2016 Wild Skin
2017 La respiration de l'abeille
2017 The light years
2019 Pôle Sud
2019 Roads in February
2020 Stateless
2020 The Internet of Everything
2021 Beans
2021 Miette
2021 On My Way
2021 The Gig Is Up
2021 The Music Lesson
2021 Trophy
2022 The Coyote
2023 Adventures in the Land of Asha
2024 Adrianne & The Castle
2024 Uasheshkun
Screenplay:
2008 Antoine
2012 The Factory
2015 Amazing Grace
2015 Fragments
2015 When Monsters Were Real
2016 Angry Inuk
2016 Letters to the Prime Minister
2016 Wild Skin
2017 La respiration de l'abeille
2017 The light years
2019 Pôle Sud
2019 Roads in February
2020 Stateless
2020 The Internet of Everything
2021 Beans
2021 Miette
2021 On My Way
2021 The Gig Is Up
2021 The Music Lesson
2021 Trophy
2022 The Coyote
2023 Adventures in the Land of Asha
2024 Adrianne & The Castle
2024 Uasheshkun
Writer:
2008 Antoine
2012 The Factory
2015 Amazing Grace
2015 Fragments
2015 When Monsters Were Real
2016 Angry Inuk
2016 Letters to the Prime Minister
2016 Wild Skin
2017 La respiration de l'abeille
2017 The light years
2019 Pôle Sud
2019 Roads in February
2020 Stateless
2020 The Internet of Everything
2021 Beans
2021 Miette
2021 On My Way
2021 The Gig Is Up
2021 The Music Lesson
2021 Trophy
2022 The Coyote
2023 Adventures in the Land of Asha
2024 Adrianne & The Castle
2024 Uasheshkun
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.