A work in constant progress (and occasional regress).
Editor:
2014 Never Die Young
Sound:
2006 Cabal in Kabul
2010 El Sicario, Room 164
2014 Never Die Young
2017 Life Beyond Me
2017 Mémoires d'un condamné
Sound Assistant:
1989 A Tale of the Wind
2006 Cabal in Kabul
2010 El Sicario, Room 164
2014 Never Die Young
2017 Life Beyond Me
2017 Mémoires d'un condamné
Sound Designer:
1989 A Tale of the Wind
1997 XXL
2006 Cabal in Kabul
2010 El Sicario, Room 164
2014 Closer to the Moon
2014 Never Die Young
2016 Between Fences
2017 Life Beyond Me
2017 Mémoires d'un condamné
Sound Editor:
1989 A Tale of the Wind
1995 One Hundred and One Nights
1997 XXL
2006 Cabal in Kabul
2010 Certified Copy
2010 El Sicario, Room 164
2013 Comme si de rien n'était
2013 Human Geography
2014 Closer to the Moon
2014 Never Die Young
2016 Between Fences
2017 Latifa: A Fighting Heart
2017 Life Beyond Me
2017 Mémoires d'un condamné
2018 Looking for Rohmer
2019 Sankara Is Not Dead
2025 Stock-car family
Sound Engineer:
1989 A Tale of the Wind
1993 La Malheureuse
1995 One Hundred and One Nights
1997 XXL
1999 Ouvertures faciles
2006 Cabal in Kabul
2010 Certified Copy
2010 El Sicario, Room 164
2013 Comme si de rien n'était
2013 Human Geography
2014 Closer to the Moon
2014 Never Die Young
2016 Between Fences
2017 Latifa: A Fighting Heart
2017 Life Beyond Me
2017 Mémoires d'un condamné
2018 Looking for Rohmer
2019 Sankara Is Not Dead
2025 Stock-car family
Sound Mixer:
1989 A Tale of the Wind
1993 Autumn, October In Algiers
1993 La Malheureuse
1995 La Haine
1995 One Hundred and One Nights
1997 XXL
1999 Ouvertures faciles
1999 Yo sor Alice
2002 1974, une partie de campagne
2002 O Fato Completo ou À Procura de Alberto
2006 Cabal in Kabul
2010 Certified Copy
2010 El Sicario, Room 164
2010 Huacho
2013 Comme si de rien n'était
2013 Human Geography
2013 Love Battles
2014 Closer to the Moon
2014 Never Die Young
2016 Between Fences
2017 Latifa: A Fighting Heart
2017 Life Beyond Me
2017 Mémoires d'un condamné
2018 Looking for Rohmer
2019 Sankara Is Not Dead
2021 The First 54 Years: An Abbreviated Manual for Military Occupation
2025 Stock-car family
Sound Re-Recording Mixer:
1989 A Tale of the Wind
1993 Autumn, October In Algiers
1993 La Malheureuse
1995 La Haine
1995 One Hundred and One Nights
1997 XXL
1998 Bimboland
1999 Ouvertures faciles
1999 Yo sor Alice
2002 1974, une partie de campagne
2002 O Fato Completo ou À Procura de Alberto
2003 The Floating Landscape
2003 The Magic Gloves
2006 Cabal in Kabul
2010 Certified Copy
2010 El Sicario, Room 164
2010 Huacho
2010 The Three-way Wedding
2012 You, Me and Us
2013 Comme si de rien n'était
2013 Human Geography
2013 Love Battles
2014 Closer to the Moon
2014 Never Die Young
2016 Between Fences
2017 Latifa: A Fighting Heart
2017 Life Beyond Me
2017 Mémoires d'un condamné
2018 Looking for Rohmer
2019 Sankara Is Not Dead
2021 The First 54 Years: An Abbreviated Manual for Military Occupation
2025 Stock-car family
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.