A work in constant progress (and occasional regress).
Alias:
Атуса Пур Хоссейни
Birthplace:
Tehran, Iran
Atoosa Pour Hosseini (b. Tehran, Iran 1981) is an artist-filmmaker based in Dublin, Ireland. Her work, which is influenced by historical avant-garde cinema, explores questions about illusion, reality, and perception through the media of film, video, installation and performance art. She works with the material textures of 8mm film as well as digital processes to explore layers of space and time, superimposing imagery and creating entrancing patterns of repetition with startling interruptions. She holds a MA in Fine Art Media from the National College of Art and Design, Dublin, and a BA in Fine Art Painting from the Azad University of Art and Architecture, Tehran. She has received awards from the Arts Council of Ireland, Dublin City Council, Culture Ireland, and Temple Bar Gallery and Studios. She is a member of Temple Bar Gallery and Studios, and a Co-Director of the Experimental Film Society (EFS) which is an Irish company dedicated to the production and screening of experimental cinema, and frequently participates in discussion forums and exchanges, such as the LUX Critical Forum in Dublin. Her works have been shown in many galleries, museums, festivals, and showcases throughout the world, in countries such as Iran, Ireland, Northern Ireland, England, USA, The Netherlands, Italy, Germany, Greece, Croatia, Brazil, Colombia, Portugal and Estonia. Her work forms part of the Irish and International Institutes collection as well as private collections. Pour Hosseini moved to Ireland in 2006 and currently lives and works in Dublin.
Director:
2011 Then
2012 Another Time
2015 Clandestine
2015 Oasis
2016 Mirage
2017 Gleanings
2017 Refining the Senses
2018 Antler
2018 Kinetics
???? Dimensions
???? Incubus
???? Luminosity (1)
???? Luminosity (2)
???? Reflected
???? Silences
Makeup Artist:
2011 Then
2012 Another Time
2015 Clandestine
2015 Oasis
2015 Ten Years In The Sun
2016 Mirage
2016 TRAILERS
2017 Gleanings
2017 Refining the Senses
2018 Antler
2018 Kinetics
???? Dimensions
???? Incubus
???? Luminosity (1)
???? Luminosity (2)
???? Reflected
???? Silences
Producer:
2011 Then
2012 Another Time
2015 Clandestine
2015 Oasis
2015 Ten Years In The Sun
2016 Mirage
2016 TRAILERS
2017 Gleanings
2017 Refining the Senses
2018 Antler
2018 Kinetics
2018 Phantom Islands
2019 Luminous Void: Docudrama
???? Dimensions
???? Incubus
???? Luminosity (1)
???? Luminosity (2)
???? Reflected
???? Silences
Set Designer:
2011 Then
2012 Another Time
2015 Clandestine
2015 Oasis
2015 Ten Years In The Sun
2016 Mirage
2016 TRAILERS
2017 Gleanings
2017 Refining the Senses
2018 Antler
2018 Kinetics
2018 Phantom Islands
2019 Luminous Void: Docudrama
???? Dimensions
???? Incubus
???? Luminosity (1)
???? Luminosity (2)
???? Reflected
???? Silences
Writer:
2011 Then
2012 Another Time
2015 Clandestine
2015 Oasis
2015 Ten Years In The Sun
2016 Mirage
2016 TRAILERS
2017 Gleanings
2017 Refining the Senses
2018 Antler
2018 Kinetics
2018 Phantom Islands
2019 Luminous Void: Docudrama
???? Dimensions
???? Incubus
???? Luminosity (1)
???? Luminosity (2)
???? Reflected
???? Silences
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.