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Anhar Salem

Birthplace:
Jeddah, Saudi Arabia,

Biography from TheMovieDB

Born in (Jeddah,1993) Saudi Arabia with a multi-ethnic background at the beginning of the nineties. Studied IT in Arab Open University. As an autodidact graphic designer and video artist, her work attempt to explore/open public and private spaces, associated with subjects like everyday life, women, and social media. Through small personal equipment, she allows herself to get involved in more private spaces, building new relationships, shrinking gaps, and questioning the capability of making a self-representation in marginalized societies.

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Additional information:

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Film Performances

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Film Production

Director:
2015  Bridge
2016  Eyes
2016  Flow
2016  Two Guitars
2017  Rain
2018  A hole in heaven
2018  The Dying Carousel
2019  The Sleeping Sun Station
2020  Mami, La Moula
2021  Love & Revenge
2021  Tag Me if You Can
2024  Mashallah. Why Did You Cross The Indian Ocean?

Editor:
2015  Bridge
2016  Eyes
2016  Flow
2016  Two Guitars
2017  Rain
2017  The Traveler's Longing to Pray
2018  A hole in heaven
2018  The Dying Carousel
2019  The Sleeping Sun Station
2020  Mami, La Moula
2021  Love & Revenge
2021  Tag Me if You Can
2024  Mashallah. Why Did You Cross The Indian Ocean?

Video Report:
2015  Bridge
2016  Eyes
2016  Flow
2016  Two Guitars
2017  Rain
2017  The Traveler's Longing to Pray
2018  A hole in heaven
2018  The Dying Carousel
2019  The Sleeping Sun Station
2020  Mami, La Moula
2021  Love & Revenge
2021  Tag Me if You Can
2024  Mashallah. Why Did You Cross The Indian Ocean?

Writer:
2015  Bridge
2016  Eyes
2016  Flow
2016  Two Guitars
2017  Rain
2017  The Traveler's Longing to Pray
2018  A hole in heaven
2018  The Dying Carousel
2019  The Sleeping Sun Station
2020  Mami, La Moula
2021  Love & Revenge
2021  Tag Me if You Can
2024  Mashallah. Why Did You Cross The Indian Ocean?

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.