A work in constant progress (and occasional regress).
Alias:
Станислав Дорошенков
Birthplace:
Moscow, USSR (Russia)
Born:
October 1, 1981
Stanislav Dorochenkov (born 1981; Moscow) is a Russian experimental artist, filmmaker, theatre director and actor. He studied at the Russian State University and the Peoples' Friendship University of Russia, graduated from the Master's degree at the University of Paris VIII Vincennes-Saint-Denis. In his first films, he explored the boundaries of experimental, documentary and artistic, studied the ways of perceiving a text, a document, from the point of view of rhetoric, image and rhythm. From 2014 to 2021 he worked on the film "Ilyazd". In 2018, he created the play Omnia Vincit Amor at the Lavoir Moderne Theater in Paris based on the abstruse texts of Ilyazd and his own. As an artist-photographer, he exhibits his works in galleries in Germany, France and Japan. Shoots video clips. Author of articles about theater and cinema.
Director:
2001 Homeless Celebrities
2002 Feast
2005 Life Has Fallen Like a Menagerie
2008 Ateisti Fulminati
2013 24 Hours of Love
2013 Afterword to the Pamphlet of 1942
2013 Scene From Faust
2021 Iliazd
Producer:
2001 Homeless Celebrities
2002 Feast
2005 Life Has Fallen Like a Menagerie
2008 Ateisti Fulminati
2013 24 Hours of Love
2013 Afterword to the Pamphlet of 1942
2013 Scene From Faust
2021 Iliazd
Screenplay:
2001 Homeless Celebrities
2002 Feast
2005 Life Has Fallen Like a Menagerie
2008 Ateisti Fulminati
2013 24 Hours of Love
2013 Afterword to the Pamphlet of 1942
2013 Scene From Faust
2021 Iliazd
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.