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Daniel Warth

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Biography from TheMovieDB

Daniel Warth is an award-winning screenwriter and film director. His first narrative feature DIM THE FLUORESCENTS won the Grand Jury Award at the Slamdance Film Festival and was hailed as “One of the Year’s Strongest Debuts” by The New York Times. His first documentary UNTOLD HOURS will have its World Premiere at the Toronto International Film Festival. In 2022, Daniel was one of eight international screenwriters selected to participate in the Toronto International Film Festival’s Writers’ Studio programme with his upcoming feature film ENDURING, which he developed with the support of Telefilm Canada, Ontario Creates, The Harold Greenberg Fund and Canada Council for the Arts.

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Film Production

Director:
2017  Dim the Fluorescents
2020  Panoramic Sleights
2022  Untold Hours

Editor:
2017  Cave Small Cave Big
2017  Dim the Fluorescents
2020  Panoramic Sleights
2022  Untold Hours

Producer:
2017  Cave Small Cave Big
2017  Dim the Fluorescents
2018  God Straightens Legs
2020  Panoramic Sleights
2022  Untold Hours

Writer:
2017  Cave Small Cave Big
2017  Dim the Fluorescents
2018  God Straightens Legs
2020  Panoramic Sleights
2022  Untold Hours

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.