Mouloud Mimoun (1944-2023)

Alias:
مولود ميمون

Birthplace:
Paris, Ile-de-France, France

Born:
January 1, 1944

Died:
November 23, 2023

Mouloud Mimoun is a journalist, editor-in-chief, director. He was one of the columnists and then the editor-in-chief between 1977 and 1987 of Mosaïque, France 3's pioneering program on immigration issues. In 2009, he created the Le Maghreb des Films association.  Mouloud Mimoun was born in France to an Algerian family that immigrated during the First World War. In 1954 his family returned to Algeria, Mouloud was 10 years old. From his childhood in Paris, his passion for the seventh art remained. Even before he was 10 years old, he frequented the now-defunct Artistic Voltaire room with his friends. The good student will then join the Normal School of Teachers in Algiers, where he notices how few Algerians are compared to the “Europeans”. Until then, he felt French: that is now impossible. Especially since, during the last year of the war, he saw his establishment burned by supporters of the OAS. An FLN official then asked him to help him as “organizing secretary”.  A few months later, he joined the press agency created by the first Algerian government. Aged just over 18, he is the youngest journalist at APS (Algérie Presse Service) where, responsible for covering youth and sports, he often rubs shoulders with the very young minister responsible for this area, Abdelaziz Bouteflika. He continued to frequent cinemas and began to write about cinema, notably in the daily El Moudjahid and the weekly Algérie-Actualité, becoming a pioneer of film criticism in his country. In 1965, it was quite natural that he joined the Algerian News Office, headed by filmmaker Mohamed Lakhdar-Hamina, of which he would become editor-in-chief. From now on, he will no longer leave the world of images, becoming one of the main animators of the Algiers cinema library, then at the height of its glory: it regularly receives the greatest filmmakers on the planet such as Jean-Luc Godard, Youssef Chahine , Glauber Rocha or Sembène Ousmane. “Paradoxically, a period of great freedom and excitement in terms of culture under Boumédiène, even though the single party reigned. »  Badly seen by the authorities, particularly for his union activities and his links with the PAGS, a rehash of the Communist Party, shaken by a lightning strike, he decided once again to cross the sea and became a buyer of foreign films for the Office of Algerian news, press officer for young filmmakers like Merzak Allouache or Mohamed Bouamari, and finally cinema columnist for Mosaïque since its creation by the director Tewfik Farès, a friend. When the show disappeared, Mimoun produced documentaries for Arte, wrote articles in the Algerian press, presented La Nuit Du Ramadan on France 2…  In 2009, with L'Humanité critic Gérard Vaugeois and a few cinema-mad friends, he noted the extent to which Maghreb films had almost disappeared from screens, in theaters and on television, on both sides of the Mediterranean. . Almost without means, he created with them the Maghreb Des Films (maghrebdesfilms.fr), where he moderates, of course, a good part of the debates which accompany the screenings. His life, at 70, is still cinema, cinemas.  He died in November 2023.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.