Home

Anthony Pedone (b. 1970)

Birthplace:
Dallas, Texas, USA

Born:
June 23, 1970

Biography from TheMovieDB

Anthony Pedone is a Writer/Director/Actor/Producer and Sundance Alumni.  Anthony was born in Texas but spent the formational years of his life on a ranch in Clayton, New Mexico. At 16 he moved back to Texas and played in multiple musical projects while studying music at Texas State University.  In 2008 he co-founded Robotic Indifference and has collaborated with an innovative and diverse group of artists to produce over a dozen award winning films.  In 2015, Anthony produced THE STRONGEST MAN. Written and directed by Kenny Riches, THE STRONGEST MAN world premiere at Sundance and was released theatrically, and on VOD by Film Buff in North America and Sundance Global internationally.  Other endeavors include THE WHY which screened in 6 countries, receiving multiple Best Experimental Feature Awards; THE CASSEROLE CLUB, winner of 5 Independent Vision Awards; ISIP THE WARRIOR, winner of Audience Choice Award for Best Short Film at The Key West Film Festival; CAMP CASSEROLE winner of Best of Fest at the Radar Hamburg Film Festival; and ROUNDBALL which world premiered at the 47th Annual World Fest in Houston, TX and received the Platinum Remi award for Best Romantic Comedy.  Anthony is also the founder and Executive Director of The Victoria TX Independent Film Festival and The Self-Medicated Film Expo(RxSM).  In 2012 Anthony started Film Exchange, an international network of festivals that program several major cities including: Berlin, Austin, New Orleans, New York, Bend, Oregon, Corpus Christi and Lake Tahoe. Film Exchange is dedicated to helping regional films find international audiences, and has generated over 100 screenings internationally, given financial support to indie film projects, and has awarded over $180,000 in film services for its filmmakers in the 3 years it has been in operation.  - IMDb Mini Biography By: anthony pedone

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Additional Camera:
2024  An American Bombing: The Road to April 19th

Cinematography:
2013  Culture Shock
2024  An American Bombing: The Road to April 19th

Co-Producer:
2013  Culture Shock
2019  One Nation Under Stress
2024  An American Bombing: The Road to April 19th

Creative Producer:
2013  Culture Shock
2019  One Nation Under Stress
2024  An American Bombing: The Road to April 19th

Director:
2013  Culture Shock
2017  An American in Texas
2019  One Nation Under Stress
2024  An American Bombing: The Road to April 19th
2024  Unlikely Allies

Executive Producer:
2013  Culture Shock
2017  An American in Texas
2019  One Nation Under Stress
2023  Chasing Chasing Amy
2024  An American Bombing: The Road to April 19th
2024  Unlikely Allies
????  Isip the Warrior

Producer:
2013  Culture Shock
2014  Self Medicated: A Film About Art
2015  Jack's Apocalypse
2017  An American in Texas
2019  One Nation Under Stress
2019  The Lost Weekend
2020  My Heart Can't Beat Unless You Tell It To
2020  Sanzaru
2021  MARINA - Ancient Dreams: Live from the Desert
2023  A Town Called Victoria
2023  Chasing Chasing Amy
2024  An American Bombing: The Road to April 19th
2024  Unlikely Allies
????  Isip the Warrior

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.