A work in constant progress (and occasional regress).
Alias:
Lawrence Fong
Birthplace:
Los Angeles, California, USA
Larry Fong is an American cinematographer based in Los Angeles, California. He graduated from the Art Center College of Design in Pasadena with a film degree. After graduation, he started shooting music videos, including REM's 'Losing My Religion', winner of MTV's Music Video of the Year. TV commercials followed as did episodic television (JJ Abram's Lost). His first studio film, 300, began a long running collaboration with director Zack Snyder, most recently Warner Bros' Batman v Superman. His recent work with Universal, Paramount, Legendary, Disney, Amazon, and Netflix include Kong: Skull Island, The Tomorrow War, Rescue Rangers, Secret Headquarters, and Damsel.
Additional Photography:
1996 The Crow: City of Angels
Director:
1992 Prince and the N.P.G.: Diamonds and Pearls Video Collection
1996 The Crow: City of Angels
Director of Photography:
1992 Prince and the N.P.G.: Diamonds and Pearls Video Collection
1994 Red Shoe Diaries 4: Auto Erotica
1996 The Crow: City of Angels
1997 Cost of Living
2004 Cape of Good Hope
2007 300
2009 Watchmen
2011 Sucker Punch
2011 Super 8
2013 Now You See Me
2016 Batman v Superman: Dawn of Justice
2017 Kong: Skull Island
2018 The Predator
2019 Battle at Big Rock
2021 The Tomorrow War
2022 Chip 'n Dale: Rescue Rangers
2022 Secret Headquarters
2024 Damsel
2025 Death of a Unicorn
???? Mike & Nick & Nick & Alice
Director of Photography:
1992 Red Shoe Diaries
2004 Lost
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.