A work in constant progress (and occasional regress).
Birthplace:
Chicago, Illinois
Born:
April 21, 1967
An award-winning independent filmmaker, originally from Chicago, Yvonne Welbon received a B.A. in history from Vassar College in Poughkeepsie, New York. Thereafter, she spent six years in Taipei, Taiwan, where she taught English, learned Mandarin Chinese, and at the age of 23, founded and published a premiere arts magazine with $300. She ran the magazine for five years. Welbon returned to the United States and enrolled in the School of the Art Institute of Chicago and earned an M.F.A. with a concentration in film and video and in 2001 a Ph.D. in Radio/TV/Film from Northwestern University. She is also a graduate of the American Film Institute's Directing Workshop for Women. Welbon has successfully produced and distributed over 20 films including Living with Pride: Ruth Ellis@ 100, winner of ten best documentary awards—including the GLAAD Media Award for Outstanding Documentary and Sisters in Cinema a documentary on the history of black women feature film directors. Her films have screened on PBS, Starz/Encore, TV-ONE, IFC, Bravo, the Sundance Channel, BET, HBO and in over one hundred film festivals around the world including Toronto, Berlin and Sundance. She is currently producing The New Black, a documentary directed by Yoruba Richen and her first trans-media project, Sisters in the Life: 25 Years of Out African American Lesbian Media-making (1986 – 2011), a web based online community building project that also includes a book of essays, a documentary, an archive and a mobile application. (8/14)
Associate Producer:
1995 Mother of the River
Director:
1990 Monique
1992 The Cinematic Jazz of Julie Dash
1993 Sisters in the Life: First Love
1994 Missing Relations
1995 Mother of the River
1995 Remembering Wei-Yi Fang, Remembering Myself
1999 Living with Pride: Ruth Ellis @ 100
2003 Sisters in Cinema
Executive Producer:
1990 Monique
1992 The Cinematic Jazz of Julie Dash
1993 Sisters in the Life: First Love
1994 Missing Relations
1995 Mother of the River
1995 Remembering Wei-Yi Fang, Remembering Myself
1999 Living with Pride: Ruth Ellis @ 100
2003 Sisters in Cinema
2020 Queenie
2020 Unapologetic
Original Music Composer:
1990 Monique
1992 The Cinematic Jazz of Julie Dash
1993 Sisters in the Life: First Love
1994 Missing Relations
1995 Mother of the River
1995 Remembering Wei-Yi Fang, Remembering Myself
1999 Living with Pride: Ruth Ellis @ 100
2003 Sisters in Cinema
2020 Queenie
2020 Unapologetic
Producer:
1990 Monique
1992 The Cinematic Jazz of Julie Dash
1993 Sisters in the Life: First Love
1994 Missing Relations
1995 Mother of the River
1995 Remembering Wei-Yi Fang, Remembering Myself
1999 Compensation
1999 Living with Pride: Ruth Ellis @ 100
2003 Sisters in Cinema
2013 The New Black
2020 Mama Gloria
2020 Queenie
2020 Unapologetic
Writer:
1990 Monique
1992 The Cinematic Jazz of Julie Dash
1993 Sisters in the Life: First Love
1994 Missing Relations
1995 Mother of the River
1995 Remembering Wei-Yi Fang, Remembering Myself
1999 Compensation
1999 Living with Pride: Ruth Ellis @ 100
2003 Sisters in Cinema
2013 The New Black
2020 Mama Gloria
2020 Queenie
2020 Unapologetic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.