Nicolas Peyrac (b. 1949)

Alias:
Jean-Jacques Tazartez

Birthplace:
Paris, France

Born:
October 6, 1949

Nicolas Peyrac (born 6 October 1949 in Rennes as Jean-Jacques Tazartez) is a French musician, writer and photographer.  Jean-Jacques spent his youth in the small town of Saint-Brice-en-Coglès in Brittany together with his brothers and parents, both of whom were physicians. As a youngster, not partial to the advance of rock 'n' roll, he had a passion for Ferré and Brel. When his parents divorced in the early 1960s, he went to live with his mother in New York, allowing him to broaden his musical horizon and discover American music. While studying at the Lycée français, he learned to play the guitar. After returning to France to live with his father, he entered a TV talent show but was unsuccessful. Refusing to let him live the life of a "vagabond", his parents pressured him into studying medicine.  During his studies he discovered a passion for photography, which brought him into contact with the music business: through a family friend he had a chance to make record sleeves for artists like Alice Dona, Hervé Vilard and Gilbert Bécaud. The latter introduced him to producer Patrick Legrand (brother of composer Michel Legrand), to whom he showed some lyrics he had written. This started his career as a songwriter, writing for artists like Marie Laforêt and Gérard Lenorman. Soon after he signed a contract with Pathé-Marconi.  In 1974, Jean-Jacques, now using the stage name Nicolas Peyrac, released his first two singles, but to limited or no success.  Just when he was about to lose his record deal with Pathé due to failure of success, Nicolas released the critically acclaimed 1975 song So far away from L.A., which made him an overnight star. Dropping his medical studies almost near the end (in his sixth year), he concentrated on his musical career, releasing his next hit song Et mon père ("And my father") for which he received a 'French Grammy', the prix de l’UNAC. Within a few months, he became part of the most talented musicians of his generation.  Continuing the 1975 success, Nicolas released several albums, and was supporting act for stars like Serge Lama, Marie-Paule Belle et Dalida. He also regularly headlined, taking him all the way to Japan.  After the death of his mother in 1978, to whom he dedicated his fifth album J't'aimais, j'ai pas changé ("I loved you, I haven't changed"), Nicolas continued touring and releasing albums, but the times of hit records seemed a thing of the past. Although writing songs for stars like Johnny Hallyday and Plácido Domingo, his own career lost ground, and by the mid-eighties he focused on different passions, writing novels and directing. At the end of the eighties, Nicolas faced a relational crisis and professional difficulties, and he fell into a severe depression, abandoning the music scene and failing to finish his novel and songs he was writing.  In 1992, Nicolas' close friend and colleague Michel Berger suddenly died of a heart attack, prompting him to take control of his life again. He started writing again, helped by former colleagues and friends, and released an album less than a year later. This marked his return to the spotlights, although it took some time for him to be fully back on track. ...  Source: Article "Nicolas Peyrac" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Original Music Composer:
1979  Seven Days in January

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.