A work in constant progress (and occasional regress).
Alias:
Gamal Soliman
Jamaal Soualymaan
Jamal Soliman
Jamal Suleiman
جمال سليمان
Birthplace:
دمشق، سوريا
Born:
November 20, 1959
Jamaal Soualymaan is a is a prominent Syrian-born producer, director and actor of television, film, and stage. He was born in 1959 in the Syrian capital of Damascus. Soulaymaan studied at the acting department of the Higher Institute of Dramatic Arts in Damascus. He started his career acting on stage and producing television series. He then continued his studies in Britain and obtained a Masters degree in theatrical studies from Leeds University. “Kessat mawt mo’lan i.e. The story of a foretold death”, “’Azeezy Maraat al-meskeen i.e. Dear poor Marat”, “Monamnamaat tareekheyya i.e. Historical miniatures”, “Al-kamaan al-sehry i.e. The magic violin”, “Khaadem sayyedayn i.e. A servant for two masters” and “Al-Motanabby” are among his famous stage plays. Among his most important silver screen appearances are; “’Aaed ila Haifa i.e. Returning to Haifa”, “Al-motabakky i.e. The remaining” and “Al-terhaal i.e. The departure”. In TV, Jamaal participated in a large number of series such as; “Al-thorayya i.e. The Chandelier”, “Al-mahkoum i.e. The convict”, “Shabakat al-‘enkaboot i.e. The spider’s web”, “Al-Doghry”, “Ekhtefaa rajol i.e. A man’s disappearance”, “Khaan al-hareer i.e. The silk market”, “Al-fossoul al-arba’a i.e. The four seasons”, “Hejrat al-koloub ilal-koloub i.e. The hearts-to-hearts migration”, “Shaam Shareef” and “Al-taghreeba al-Felastineyya i.e. The Palestinian estrangement”. Jamaal Soulaymaan was appointed Ambassador of the United Nations Population Fund in 1999.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.