A work in constant progress (and occasional regress).
Alias:
Candace Thaxton
Candace Thompson is a media maker and land steward fascinated by the feedback loops of ecology, economics, culture, history, media, and daily human interaction. They make video, audio, web, and social practice projects that examine and challenge the truths we purportedly hold to be self-evident. Perhaps they aren’t so self-evident after all. Thompson's current projects search for healing and agency in the face of opaque profit systems. This includes human relationship(s) with the (un)natural world vis a vis local food webs, phone addiction and the corporate surveillance state, and rituals of healing that locate personal and intergenerational trauma as somatic heirlooms. Recent institutional relationships include More Art, Residency Unlimited, Oak Spring Garden Foundation, Brooklyn Arts Council, NYFA, the Urban Soil Institute, Cycle X, Burlington City Arts, Wave Hill, and Swale House. As a freelance video producer and editor they have made music videos, documentaries and experimental narratives. Thompson's short non-fiction films, The Next Epoch Seed Library and Body Map have screened at various US festivals. As a performer they have worked in theatre, voiceover, and television, most notably on HBO's High Maintenance and with artist Pablo Helguera at BAM and the Guggenheim. They hold an MFA in Integrated Media Art from Hunter College and are the Park Manager of Stuy Cove Park, a 2 acre public food forest in lower Manhattan.
Associate Producer:
2014 The American Nurse
Editor:
2014 The American Nurse
2017 Defining Hope
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.