A work in constant progress (and occasional regress).
Alias:
Colectivo Los Ingrávidos
Colectivo Los Ingrávidos (Mexico) was formed in order to provide a radical, avant-garde alternative to the commercial and corporate mode of filmmaking in Mexico and internationally. They have created 300+ films since 2012. Their film and digital artworks have been exhibited at Arnolfini Gallery, International Film Festival Oberhausen, Flaherty Film Seminar, VDrome, Crossroads, Filmadrid, Ambulante Cine Documental (Mexico City), Media City Film Festival and the 2019 Whitney Biennial. They were awarded the Images Festival’s Marian McMahon Award and Third Prize at MCFF (2018). Their recent collection of poetry SOLARIS was published by Evidence at the Centre for Expanded Poetics (Montréal).
Director:
2013 Alphabet / A
2013 Hipertermia
2013 Jonas Mekas, 1948
2013 Soldadera / Percusión Visual
2013 Transmission / Perception
2014 Abecedario / B
2014 Alt
2014 Aquí nuestro presente parece suspendido
2014 El Trabajo De Nuestros Compañeros
2014 Impressions for a Light and Sound Machine
2014 Main Temple: Barricade
2014 Main Temple: Battle
2014 Marry the night
2014 October 2 / Far From Tlatelolco
2014 Rostridad / Éstas son las versiones que nos propone
2014 Transmission / Misframing
2014 Tryptich
2014 Va Pensiero
2015 Coátl
2015 Doblaje y desfase gubernamental
2016 CI(s)NE NEGRO
2016 Extractivistas
2016 Itzcóatl
2017 Batalla
2017 Conflagration
2017 Coyolxauhqui
2017 Have You Seen?
2017 Interior
2017 November 2/Far from Ayotzinapa
2017 Sangre seca
2017 Sun Stone
2017 The Sun Quartet
2017 The Sun Quartet, Part 2: San Juan River
2017 The Sun Quartet, Part 4: Far from Ayotzinapa
2017 Tláloc
2017 Venado
2018 1973
2018 Barranca
2018 Disolvencia
2018 Dissolving / There Are Corpses
2018 EZLN
2018 Eroded Pyramid
2018 Filamentos / Evidencia
2018 Fracking
2018 Olympia
2018 San Juan River
2018 Saturno
2018 Stasi
2018 Tierra y Libertad
2018 Tótem 9/11
2018 Under the Volcano
2018 Vision of Anahuac
2019 Altazor
2019 American Time
2019 Amuletos
2019 Anábasis
2019 Arterias
2019 Bugambilia
2019 Coral
2019 Dialogue: A Portrait of Slavoj Zizek
2019 Disjecta membra
2019 Entraña
2019 Faces in the Crowd 3: Paralaje
2019 Franelero
2019 Inherent Drone
2019 La region mas transparente
2019 Luvina
2019 Megalópolis
2019 Memorial
2019 Mictlantecuhtli
2019 Nucleo
2019 Pandora
2019 Parallax
2019 Postcard
2019 Red Psalm
2019 Shaman
2019 Shrines
2019 Tear Gas
2019 Toloache
2019 Viral
2020 Altamira
2020 Amerika
2020 Antibodies
2020 Chrysalis
2020 Class Struggle
2020 Closed Circuits
2020 Coatlicue
2020 Comalli
2020 Crudo
2020 Danza
2020 Dresden Codex
2020 El Dorado
2020 El tesoro de Moctezuma
2020 Haunted Figures
2020 High Tide
2020 Insomnia
2020 Jacarandas
2020 Letters
2020 Lunar Dances
2020 Lunar Pond
2020 Lunar Trails
2020 Lunar Waltz
2020 Montage Embers
2020 Mordängeln
2020 Numbers
2020 Pitayas
2020 Plague (Screen 1)
2020 Plague (Screen 2)
2020 Scanners 1
2020 Scanners 3
2020 Scanners 6
2020 Semiotic Ghosts
2020 Still Life 1
2020 Still Life 2
2020 Still Life 3
2020 Suite Lunar
2020 The Castle
2020 The Palace at 4 a.m.
2020 The Passion
2020 The Rite
2020 They Live (Pinochet)
2020 They Live (Reagan)
2020 They Live (Thatcher)
2020 Tortilla
2020 Tracking
2020 Undertone
2021 1991
2021 After America
2021 Angelus Novus
2021 Archives
2021 Black Rain
2021 Casta Painting
2021 Colonial Transfer
2021 Conversion
2021 Danza solar
2021 Dark Age
2021 El nido del Sol
2021 Guerras Floridas
2021 Iceberg
2021 Interlinks
2021 Irradiation
2021 Lagarto
2021 Mambo Sketch
2021 Meteoros
2021 Moon Veils
2021 Placenta
2021 Quetzalcóatl
2021 Selfie
2021 Sensemayá
2021 Templo
2021 The Cave
2021 The Flare
2021 Tlecáxitl
2021 Tonalli
2022 Artifacts
2022 Atelier
2022 Baal
2022 Borders
2022 Bureaucrat
2022 Cenizas
2022 Cloud
2022 Colonial Masters
2022 Copalli
2022 Crypt
2022 Democracy
2022 Drama
2022 Enlightenment
2022 Escape
2022 Extinction
2022 First Lady
2022 Horizontal Rust
2022 Inversión
2022 Ionization
2022 Kamikaze
2022 Magazine
2022 Manzanas
2022 Miscelánea
2022 Monet
2022 Newsreel From Other Space
2022 No personnel outside the system
2022 Notes for a Déjà vu
2022 Overlook
2022 Painkiller
2022 Path
2022 Politics
2022 Prado
2022 Public Now
2022 Resurrection
2022 Scene
2022 Sequence
2022 Shadow
2022 Silhouette
2022 Soldier
2022 Spectral
2022 Spectre
2022 Swans
2022 Teponaztli
2022 The Embrace
2022 The Flood
2022 The Letter
2022 The Prophet
2022 The Trial
2022 The Tribe
2022 The Weather
2022 They Fade
2022 Tierra en Trance
2022 Torn Curtain
2022 Triangle
2022 Turbine
2022 Underworld
2022 Vértigo
2022 War Machine
2023 Coyote
2023 Das Schloss
2023 Lumbreras
2023 Obsidian Mirror
2023 Resonance
2023 Seeds
2023 The Floating Gardens
2023 Xiuhtecuhtli
2024 Brussels
2024 Colmillos
2024 Nahual
2024 Ritual
2024 Teocalli
2024 The Winged Stone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.