Wendy Wilkins

Wendy spent her early adult years as a policewoman and later as a realtor, in her native city Melbourne, Australia. This instilled in her a strong work ethic, self determination, tenacity, and life skills which led her to flourish in the business arena. While having continued success in the business world, Wendy followed her creative endeavors to fruition, becoming a talented actress and producer. With an understanding that entertainment is a business, Wendy has always sought out the best in their field for training and collaboration, including to name a few, Peter Sardi - Melbourne, The Royal Academy of Dramatic Art - London, Uta Hagen/Austin Pendleton - New York, Ivana Chubbuck - Los Angeles, Bobby Chance - Los Angeles. Daisy White - Los Angeles.  Wendy had the honor of performing alongside Academy Award nominees, Kristin Scott Thomas and Ralph Fiennes and has produced theater with Broadway credited directors, such as Stephan Wolfert.  Wendy is determined to encourage people on their own journey of self discovery and is particularly passionate about uplifting and empowering women through her craft and experience. Wendy has the ability to bring people together from different cultures and backgrounds to make projects a success. Her production "Big Bully Bank" which she wrote, produced and starred in, smashed the festival circuit, picking up several awards including "Best Comedy Scene" - AOF International Film Festival. Best Cinematography - AIF Festival and was invited to screen at The Occupy Sundance Film Festival. Wendy resides in Hollywood, California and is a member of Australians in Film, SAG/AFTRA and Actors Equity.

Additional information:

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Director:
2023  Death on the Border

Executive Producer:
2023  Death on the Border

Thanks:
2023  Death on the Border
2024  Grace & Chloe

Writer:
2023  Death on the Border
2024  Grace & Chloe

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.