Heather White

Heather has been involved with Mohawk Girls since 2007 when it started as the short film Escape Hatch. She hopes that Mohawk Girls and the casting of a plus-size actress as the character Caitlin will help inspire other young women to adopt a positive body image, as well as encourage them to work hard, to always follow their dreams, and continue to break society’s expectations of beauty.  After graduating from Concordia University’s Theatre Program and attending Toronto’s Center for Indigenous Theatre Heather worked on the Muriel Miguel collaborative creation A Series of Savage Events: A Love Story, Alanis King’s play Gegwah, spoken entirely in the Ojibway language, and worked under the tutelage of acclaimed playwright Tara Beagan on her semi-autobiographical play.  At 12 Heather’s Mohawk grandmother signed her up for Kahnawake’s Turtle Island Theatre’s Summer Drama Camp where she honed skills as an actor, singer, playwright - favourite roles include Mama Rose - Gypsy, Mame - Mame, Winnifred - Once Upon A Mattress and Chris Gorman - Rumors.  Heather is a self-proclaimed ‘hybrid’. Born to a Mohawk mother and Stoney father she grew up within two contrasting native communities. This experience introduced the best of two worlds, creating a sense of duality that shaped both her personal perception and that of the larger world - the one beyond the rez. Exploration of self, identity, culture, and belonging sits at the core of Heather’s work.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.