Lawrence Lek

Alias:
陆明龙

Birthplace:
Frankfurt am Main, Germany

Lawrence Lek is an artist and director. With the help of game software, 3D animation, installations and performances, he creates virtual worlds of his speculative films. Exploring the influence of the virtual on the politics of creativity, he often places his fictional or non-human characters in alternative versions of real places. Lives and works in London.  1982 - Born in Frankfurt am Main, Germany  2004 - BA Architecture, Trinity College, University of Cambridge, Cambridge, England  2008 - AA Diploma, Architectural Association, London, England  2012 - Master of Architecture II, The Cooper Union, New York, NY  2022 - PhD, Royal College of Art, London, England

Additional information:

The Search Form


CG Artist:
2016  Berlin Mirror (2042 Retrospective)
2016  Nøtel
2016  QE3
2017  Geomancer
2021  Temple
2022  Theta

Director:
2016  Berlin Mirror (2042 Retrospective)
2016  Nøtel
2016  QE3
2016  Sinofuturism (1839 - 2046 AD)
2017  Geomancer
2018  Pyramid Schemes
2019  AIDOL
2021  Temple
2022  Theta
2024  Is Nothing Forever?

Editor:
2016  Berlin Mirror (2042 Retrospective)
2016  Nøtel
2016  QE3
2016  Sinofuturism (1839 - 2046 AD)
2017  Geomancer
2018  Pyramid Schemes
2019  AIDOL
2021  Temple
2022  Theta
2024  Is Nothing Forever?

Music:
2016  Berlin Mirror (2042 Retrospective)
2016  Nøtel
2016  QE3
2016  Sinofuturism (1839 - 2046 AD)
2017  Geomancer
2018  Pyramid Schemes
2019  AIDOL
2021  Temple
2022  Theta
2024  Is Nothing Forever?

Writer:
2016  Berlin Mirror (2042 Retrospective)
2016  Nøtel
2016  QE3
2016  Sinofuturism (1839 - 2046 AD)
2017  Geomancer
2018  Pyramid Schemes
2019  AIDOL
2021  Temple
2022  Theta
2024  Is Nothing Forever?

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.