A work in constant progress (and occasional regress).
Alias:
陆明龙
Birthplace:
Frankfurt am Main, Germany
Lawrence Lek is an artist and director. With the help of game software, 3D animation, installations and performances, he creates virtual worlds of his speculative films. Exploring the influence of the virtual on the politics of creativity, he often places his fictional or non-human characters in alternative versions of real places. Lives and works in London. 1982 - Born in Frankfurt am Main, Germany 2004 - BA Architecture, Trinity College, University of Cambridge, Cambridge, England 2008 - AA Diploma, Architectural Association, London, England 2012 - Master of Architecture II, The Cooper Union, New York, NY 2022 - PhD, Royal College of Art, London, England
CG Artist:
2016 Berlin Mirror (2042 Retrospective)
2016 Nøtel
2016 QE3
2017 Geomancer
2021 Temple
2022 Theta
Director:
2016 Berlin Mirror (2042 Retrospective)
2016 Nøtel
2016 QE3
2016 Sinofuturism (1839 - 2046 AD)
2017 Geomancer
2018 Pyramid Schemes
2019 AIDOL
2021 Temple
2022 Theta
2024 Is Nothing Forever?
Editor:
2016 Berlin Mirror (2042 Retrospective)
2016 Nøtel
2016 QE3
2016 Sinofuturism (1839 - 2046 AD)
2017 Geomancer
2018 Pyramid Schemes
2019 AIDOL
2021 Temple
2022 Theta
2024 Is Nothing Forever?
Music:
2016 Berlin Mirror (2042 Retrospective)
2016 Nøtel
2016 QE3
2016 Sinofuturism (1839 - 2046 AD)
2017 Geomancer
2018 Pyramid Schemes
2019 AIDOL
2021 Temple
2022 Theta
2024 Is Nothing Forever?
Writer:
2016 Berlin Mirror (2042 Retrospective)
2016 Nøtel
2016 QE3
2016 Sinofuturism (1839 - 2046 AD)
2017 Geomancer
2018 Pyramid Schemes
2019 AIDOL
2021 Temple
2022 Theta
2024 Is Nothing Forever?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.