A work in constant progress (and occasional regress).
Alias:
Joselo
Birthplace:
Barbacoas, Aragua; Venezuela
Born:
September 27, 1936
Died:
January 5, 2013
"Joselo" (José Manuel Díaz Márquez) was a Venezuelan actor and comedian in television and film. Born in Barbacoas, Aragua, he was the younger brother of the singer and composer Simón Díaz. He played professionally under the name Joselo. Initially, Joselo tried to emulate his older brother, although the ease of doing jokes about the daily life of the Venezuelan people set the course of his artistic career. Joselo debuted on the popular sitcom Radio Rochela in 1959, aired by Radio Caracas Televisión, until it agreed on a long-term arrangement to keep him at the network by making him producer of his own weekly show, El Show de Joselo (1964–1972, 1981), which later was broadcast on Venevisión and was renamed Humor con Joselo (1973–1980, 1984–1993). For nearly three decades, Joselo developed a significant number of characters in his weekly sitcom, effectively creating stereotypes and popular codes, conveniently remodeled and refined, achieving a deep approach to the lower and middle classes. Among his most popular characters are El Pavo Lucas, Madam Cosmetic, El Adeco y el Copeyano, El Dr. Chimbín, El Mendigo, El Doctor Pensamos, El Viejito de la Marabunta, El Licenciado Protocolo Esparragoza and El Roquero. Joselo also played leading roles in Venezuelan and Mexican cinema, including El raspado and Yo, el gobernador, under the direction of René Cardona, Jr., El reportero (1968), directed by Rafael Baledón, and Operación carambola (1968) directed by Alfredo Zacarías. In addition, he featured on radio and even recorded popular gaitas with his brother Simón under the guide of producer Hugo Blanco. Joselo died in 2013 in Caracas, at age 76, after suffering a liver illness.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.