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Brittany Hites

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Biography from TheMovieDB

Brittany's innate passion for creating worlds started at age 4, when she would monopolise her family's living room with handmade Barbie dream homes. These original "works of art" were constructed out of children's books, Lincoln Logs, Legos, and anything else she could get her hands on.  Brittany has worked on small-to-large-budget feature films and episodic television with companies including Warner Bros. Pictures, Marvel Studios, Sony Pictures, Universal Pictures, Focus Features, Paramount Pictures, Fox Searchlight, DreamWorks, Lionsgate, Annapurna, STX Entertainment, Netflix, American Zoetrope, CBS, Showtime, and HBOMax.  Brittany is a dual-carded member of the Art Directors Guild (IATSE Local 800) as an art director and set designer. She, along with the art department of Passengers (2016), received an Art Director's Guild Award in 2016, and in 2023, she was nominated for an Emmy (Outstanding Art Direction) with the Art Department of The Guardians of the Galaxy Holiday Special as well as another Art Directors Guild Award for Guardians of the Galaxy Vol. 3.

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Film Production

Art Direction:
2014  Comet
2014  Katt Williams: Priceless: Afterlife
2017  Table 19
2018  Nappily Ever After
2019  Shaft
2020  Irresistible
2021  Dear Evan Hansen
2021  The Suicide Squad
2022  The Guardians of the Galaxy Holiday Special
2023  Guardians of the Galaxy Vol. 3
2023  Shazam! Fury of the Gods
2024  Megalopolis
2025  Thunderbolts*

Assistant Art Director:
2014  Comet
2014  Katt Williams: Priceless: Afterlife
2014  Marvel One-Shot: All Hail the King
2016  Passengers
2017  Pitch Perfect 3
2017  Table 19
2018  Mile 22
2018  Nappily Ever After
2019  Shaft
2019  Where'd You Go, Bernadette
2020  Irresistible
2020  Superintelligence
2021  Dear Evan Hansen
2021  The Suicide Squad
2022  The Guardians of the Galaxy Holiday Special
2023  Guardians of the Galaxy Vol. 3
2023  Shazam! Fury of the Gods
2024  Megalopolis
2025  Thunderbolts*

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TV Production

Art Direction:
2015  Con Man
2022  The First Lady

Set Designer:
2015  Con Man
2018  Magnum P.I.
2022  The First Lady

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.