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Kim Hyung-koo (b. 1960)

Alias:
Kim Hyeong-goo
Kim Hyeong-gu
Kim Hyeong-koo
Kim Hyeong-ku
Kim Hyung-goo
Kim Hyung-gu
Kim Hyung-ku
김형구

Birthplace:
South Korea

Born:
March 28, 1960

Biography from TheMovieDB

Kim Hyung-ku (김형구) is a South Korean cinematographer and director of photography.

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Additional information:

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Film Performances

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Film Production

Cinematography:
1993  Dead End
1996  The Real Man
1999  The Uprising

Director of Photography:
1993  Dead End
1996  The Real Man
1997  Beat
1998  Spring in My Hometown
1999  City of the Rising Sun
1999  The Uprising
2000  Peppermint Candy
2001  One Fine Spring Day
2001  The Warrior
2002  Together
2003  Memories of Murder
2003  Please Teach Me English
2004  Rikidozan: A Hero Extraordinaire
2005  Tale of Cinema
2006  The Host
2006  Woman on the Beach
2007  Happiness
2010  Secret Love
2011  The Day He Arrives
2011  Unbowed
2013  Nobody's Daughter Haewon
2013  The Five
2014  Revivre
2015  Northern Limit Line
2017  On the Beach at Night Alone
2017  The Day After
2018  A Tiger in Winter
2018  Grass
2019  Hotel by the River
2020  Please Don't Save Me

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TV Production

Director:
2022  건강청 사람들

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.