A work in constant progress (and occasional regress).
Alias:
Joël Louis Jent
Birthplace:
Wetzikon, Switzerland
Born:
January 14, 1983
Joël Jent was born in Switzerland in 1983. He grew up in a Christian cult. The day he turned 18 he packed his belongings in a bag, threw it on his motorcycle and took off into an uncertain future. He pursued a program of study in film, political science and social history at University of Zurich, which he completed in 2010 (Master of Arts). He then worked briefly as a journalist. Since 2003, Joël Jent has written THE BLIND FERRYMAN (2024), EATING THE SILENCE (2021), WINDOWLESS (2019) and produced several short- and feature films (THE SAINT OF THE IMPOSSIBLE, BAGHDAD IN MY SHADOW, FACING MECCA, BON VOYAGE, IRAQI ODYSSEY). He directs documentary and fiction, i.e. EATING THE SILENCE, VIVRE LE PIANO and DÉSAMOUR and is a winner of the SSA grant (Société Suisse des Auteurs). Joël Jent is a member of the European- and the Swiss Film Academy and alumnus of IDFA Project Space (2025), IDFAcademy (2024), EsoDoc European Social Documentary (2023), the Hezayah Screenwriting Lab (2021) and Cannes Producer on the Move Program (2016). He is father to one son and works as an independent filmmaker and screenwriter in Zurich. His future is still uncertain.
Author:
2009 Vivre le Piano
2014 Désamour
2020 Fensterlos
2021 Eating the Silence
Co-Producer:
2009 Vivre le Piano
2014 Back to Switzerland
2014 Désamour
2016 Go Home
2020 Fensterlos
2020 Radiograph of a Family
2021 Eating the Silence
Development Producer:
2009 Vivre le Piano
2014 Back to Switzerland
2014 Désamour
2016 Go Home
2020 Fensterlos
2020 Radiograph of a Family
2021 Eating the Silence
2023 Peripheric Love
2024 Traces of Responsibility
Director:
2009 Vivre le Piano
2014 Back to Switzerland
2014 Désamour
2016 Go Home
2020 Fensterlos
2020 Radiograph of a Family
2021 Eating the Silence
2023 Peripheric Love
2024 Traces of Responsibility
Producer:
2009 Vivre le Piano
2010 Kings of the Gambia
2014 Back to Switzerland
2014 Désamour
2014 Iraqi Odyssey
2015 Nightlight
2016 Bon Voyage
2016 Go Home
2017 Facing Mecca
2019 Baghdad in My Shadow
2019 Shalom Allah
2020 Fensterlos
2020 Radiograph of a Family
2020 The Saint of the Impossible
2021 Eating the Silence
2023 Peripheric Love
2024 Traces of Responsibility
Production Manager:
2009 Vivre le Piano
2010 Kings of the Gambia
2013 Once I Entered in a Garden
2014 Back to Switzerland
2014 Désamour
2014 Iraqi Odyssey
2015 Nightlight
2016 Bon Voyage
2016 Go Home
2017 Facing Mecca
2019 Baghdad in My Shadow
2019 Shalom Allah
2020 Fensterlos
2020 Radiograph of a Family
2020 The Saint of the Impossible
2021 Eating the Silence
2023 Peripheric Love
2024 Traces of Responsibility
Writer:
2009 Vivre le Piano
2010 Kings of the Gambia
2013 Once I Entered in a Garden
2014 Back to Switzerland
2014 Désamour
2014 Iraqi Odyssey
2015 Nightlight
2016 Bon Voyage
2016 Go Home
2017 Facing Mecca
2019 Baghdad in My Shadow
2019 Shalom Allah
2020 Fensterlos
2020 Radiograph of a Family
2020 The Saint of the Impossible
2021 Eating the Silence
2023 Peripheric Love
2024 Traces of Responsibility
???? The Blind Ferryman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.