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Joël Jent (b. 1983)

Alias:
Joël Louis Jent

Birthplace:
Wetzikon, Switzerland

Born:
January 14, 1983

Biography from TheMovieDB

Joël Jent was born in Switzerland in 1983. He grew up in a Christian cult. The day he turned 18 he packed his belongings in a bag, threw it on his motorcycle and took off into an uncertain future. He studied film, political science and history at University of Zurich (Master of Arts, 2010). Joël Jent writes and directs documentary and fiction films (e.g. EATING THE SILENCE, VIVRE LE PIANO and DÉSAMOUR) and is a winner of the SSA grant (Société Suisse des Auteurs). Since 2003, he has written and produced short- and feature films. Joël Jent is alumni of the Zurich Film Festival Academy (2006), EFP Producers on the Move program (2016), the Hezayah Screenwriting Lab (2021) and European Social Documentary Program EsoDoc (2023). He works as an independent filmmaker in Zurich. His future is still uncertain.

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Additional information:

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Film Production

Author:
2014  Désamour
2020  Fensterlos
2021  Eating the Silence

Co-Producer:
2014  Désamour
2020  Fensterlos
2020  Radiograph of a Family
2021  Eating the Silence

Director:
2014  Désamour
2020  Fensterlos
2020  Radiograph of a Family
2021  Eating the Silence

Producer:
2014  Désamour
2014  Iraqi Odyssey
2016  Bon Voyage
2017  Facing Mecca
2020  Fensterlos
2020  Radiograph of a Family
2021  Eating the Silence

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.