A work in constant progress (and occasional regress).
Birthplace:
Poland
Born:
May 13, 1914
Died:
September 30, 1993
From Wikipedia, the free encyclopedia Reizl Bozyk (born 13 May 1914, Poland – 30 September 1993, New York, New York, USA), also known as Rose Bozyk, was a Polish-born American actress of the Yiddish theatre. Her only claim to mainstream fame was her sole film role in which she played the interfering grandmother of Amy Irving in Joan Micklin Silver's film Crossing Delancey (1988). She had been an enduring star of the Yiddish stage in New York, and earlier in Poland and Argentina, appearing in hundreds of productions, often as a comedian and later as the familiar mother or mother-in-law character who often stole the show. She began acting in the Yiddish theater in Poland at the age of 5 or 6, performing first with her parents and then with Max Bozyk, whom she later married. Max and Reizl Bozyk fled the Nazis in 1939, traveling first to Argentina, and, in 1941, to New York City. For three decades, they were inseparable on the Yiddish stage, starring in one play or revue after another. In an interview when Crossing Delancey opened, Bozyk joked that the 37 years spent with her husband had been like 74 because they'd spent their entire days and nights together. In 1970, after a performance at New York's Town Hall, her husband collapsed and died. In 1989 she essayed her first stage role in English, appearing in the comedy Social Security at the Forum Theater in Metuchen, New Jersey. The following year she recreated her Crossing Delancey role on stage. Description above from the Wikipedia article Reizl Bozyk, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.