A work in constant progress (and occasional regress).
Alias:
Alexis Ostrander
Alexis Ostrander is an award-winning and Emmy nominated director. Since graduating from Syracuse University, she has worked consistently in film and television, starting out in documentaries before segueing into narrative storytelling. In 2014 she was a participant in the 40th annual AFI Directing Workshop for Women. Alexis received the Panavision New Filmmaker Grant, Creative District Grant, Impact First Films Grant, and The Caucus for Producers, Writers & Directors Foundation Grant to enable her to make her first short film, THE HAIRCUT, premiering at AFI Fest in 2014. It has since played over 45 festivals, garnering 13 awards. In 2016 Alexis was selected for the Ryan Murphy Half Foundation Mentorship Program and subsequently directed the penultimate episode of AMERICAN HORROR STORY: ROANOKE for FX. She was a participant in the Fox Filmmakers Lab and Fox Global Directors Initiative and was a drama fellow for the apprenticeship program on HOMELAND. Alexis was one of five directors in the inaugural Warner Bros. Emerging Film Directors Workshop, leading her to direct the grounded sci-fi short film, SENSUM, which premiered on HBO Go. After completing the 2017 Warner Bros. Television Directors' Workshop, she has gone on to direct over 30 episodes of television including RIVERDALE, SHADOWHUNTERS, THE ARRANGEMENT, DEADLY CLASS, PEARSON, SUPERGIRL, SERVANT, SWAMP THING, IMPULSE, CONDOR, SEAL TEAM, NANCY DREW, SWEET TOOTH, CRUEL SUMMER, TRUTH BE TOLD, INTERVIEW WITH THE VAMPIRE, THE CONSULTANT and MAYFAIR WITCHES. In 2018 Alexis directed the pilot episode of LIGHT AS A FEATHER on Hulu, for which she received a Daytime Emmy nomination for Outstanding Directing for a Digital Drama Series. In January 2020, The Alice Initiative named Alexis one of twenty "Emerging Female Directors" in The Hollywood Reporter. She is currently in development on a tv series for SB Projects, CEDE for Star Thrower Entertainment, MEMPHIS DYNAMITE for Range Studios and RED ROSE CREW for The Gotham Group, which she is set to direct and executive produce. She has written a guest post for Indiewire: "Here's Why Female-Driven Films Are Important Right Now."
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.