A work in constant progress (and occasional regress).
Birthplace:
Pittsburgh, Pennsylvania, USA
Christopher Radcliff is an award-winning Chinese American filmmaker based in New York City. His work has screened worldwide including at Sundance, SXSW, Clermont-Ferrand, and Rotterdam film festivals, at The Shed in New York City and The Swatch Art Peace Hotel in Shanghai, and online via Criterion, Short of the Week, Vimeo Staff Picks, and Lé Cinema Club. His first feature film THE STRANGE ONES was released theatrically in 2018, and was named by John Waters as one of the top ten films of the year. Recently he directed and edited WE WERE THE SCENERY, a documentary short that will be premiering at Sundance 2025. As an editor, he is member of the Motion Picture Editors Guild, with credits on films that have premiered at festivals including Cannes, Sundance, Berlin, Venice, and TIFF, such as Palm Trees and Power Lines (2022), After Yang (2021), and Mafak ("Screwdriver," 2018). He is also a member of the WGAE, and a recipient of fellowships from Oxbelly, FilmNation, and Almanack Screenwriters. He received his MFA from Columbia University, and currently teaches in the Film/Video Department at Pratt Institute.
Additional Editor:
2020 If We Say That We Are Friends
2020 Never Rarely Sometimes Always
Director:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2014 Jonathan's Chest
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Never Rarely Sometimes Always
2025 We Were The Scenery
Editor:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2013 Social Butterfly
2014 Jonathan's Chest
2016 Collective: Unconscious
2016 Swallowed
2017 Easy Living
2018 Screwdriver
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Minor Premise
2020 Never Rarely Sometimes Always
2020 Premise
2023 Palm Trees and Power Lines
2025 We Were The Scenery
Story:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2013 Social Butterfly
2014 Jonathan's Chest
2016 Collective: Unconscious
2016 Swallowed
2017 Easy Living
2018 Screwdriver
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Minor Premise
2020 Never Rarely Sometimes Always
2020 Premise
2023 Palm Trees and Power Lines
2025 We Were The Scenery
Writer:
2011 Boys On Film 7: Bad Romance
2011 The Strange Ones
2013 Social Butterfly
2014 Jonathan's Chest
2016 Collective: Unconscious
2016 Swallowed
2017 Easy Living
2018 Screwdriver
2018 The Strange Ones
2019 Lost Episode
2020 If We Say That We Are Friends
2020 Minor Premise
2020 Never Rarely Sometimes Always
2020 Premise
2023 Palm Trees and Power Lines
2025 We Were The Scenery
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.