Christopher Radcliff

Birthplace:
Pittsburgh, Pennsylvania, USA

Christopher Radcliff is an award-winning Chinese American filmmaker based in New York City. His work has screened worldwide including at Sundance, SXSW, Clermont-Ferrand, and Rotterdam film festivals, at The Shed in New York City and The Swatch Art Peace Hotel in Shanghai, and online via Criterion, Short of the Week, Vimeo Staff Picks, and Lé Cinema Club. His first feature film THE STRANGE ONES was released theatrically in 2018, and was named by John Waters as one of the top ten films of the year. Recently he directed and edited WE WERE THE SCENERY, a documentary short that will be premiering at Sundance 2025. As an editor, he is member of the Motion Picture Editors Guild, with credits on films that have premiered at festivals including Cannes, Sundance, Berlin, Venice, and TIFF, such as Palm Trees and Power Lines (2022), After Yang (2021), and Mafak ("Screwdriver," 2018). He is also a member of the WGAE, and a recipient of fellowships from Oxbelly, FilmNation, and Almanack Screenwriters. He received his MFA from Columbia University, and currently teaches in the Film/Video Department at Pratt Institute.

Additional information:

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Additional Editor:
2020  If We Say That We Are Friends
2020  Never Rarely Sometimes Always

Director:
2011  Boys On Film 7: Bad Romance
2011  The Strange Ones
2014  Jonathan's Chest
2018  The Strange Ones
2019  Lost Episode
2020  If We Say That We Are Friends
2020  Never Rarely Sometimes Always
2025  We Were The Scenery

Editor:
2011  Boys On Film 7: Bad Romance
2011  The Strange Ones
2013  Social Butterfly
2014  Jonathan's Chest
2016  Collective: Unconscious
2016  Swallowed
2017  Easy Living
2018  Screwdriver
2018  The Strange Ones
2019  Lost Episode
2020  If We Say That We Are Friends
2020  Minor Premise
2020  Never Rarely Sometimes Always
2020  Premise
2023  Palm Trees and Power Lines
2025  We Were The Scenery

Story:
2011  Boys On Film 7: Bad Romance
2011  The Strange Ones
2013  Social Butterfly
2014  Jonathan's Chest
2016  Collective: Unconscious
2016  Swallowed
2017  Easy Living
2018  Screwdriver
2018  The Strange Ones
2019  Lost Episode
2020  If We Say That We Are Friends
2020  Minor Premise
2020  Never Rarely Sometimes Always
2020  Premise
2023  Palm Trees and Power Lines
2025  We Were The Scenery

Writer:
2011  Boys On Film 7: Bad Romance
2011  The Strange Ones
2013  Social Butterfly
2014  Jonathan's Chest
2016  Collective: Unconscious
2016  Swallowed
2017  Easy Living
2018  Screwdriver
2018  The Strange Ones
2019  Lost Episode
2020  If We Say That We Are Friends
2020  Minor Premise
2020  Never Rarely Sometimes Always
2020  Premise
2023  Palm Trees and Power Lines
2025  We Were The Scenery

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.