A work in constant progress (and occasional regress).
Alias:
Кантемир Балагов
Birthplace:
Nalchik, USSR (Russia)
Born:
July 28, 1991
Kantemir was born in Nalchik, Russia, in a family, unrelated to cinematography. Since childhood, Kantemir watched a lot of mainstream movies, and at the age of 18 began to create his own small videos. Then, together with friends in Nalchik, he shot an Internet series with episodes of 10 minutes each. He didn't originally plan to pursue a career of a filmmaker, but decided to apply for the cinema workshop, led by Alexander Sokurov at the Kabardino-Balkarian University. During his studies he made several fiction and documentary films. Some of Balagov’s short films were shown at the 67th Locarno Film Festival. In 2017, he made his debut as a director with the feature film Closeness in the program Un Certain Regard at the Cannes Film Festival, where he received the prize FIPRESCI. In 2019, Balagov received the Cannes Best Director Award and FIPRESCI prize for the film Beanpole, which was presented in the program Un Certain Regard.
Assistant Director:
2014 A Tree Without Roots
Assistant Director of Photography:
2014 A Tree Without Roots
2014 Army
2014 They abandoned me
2015 Tower of Silence
2017 The Life Of My Friend
Cinematography:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 They abandoned me
2015 Tower of Silence
2017 The Life Of My Friend
Colorist:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 Slightly Opening The Door
2014 They abandoned me
2014 Warm-Hearted Eyes
2015 Tower of Silence
2017 The Life Of My Friend
Director:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 Slightly Opening The Door
2014 They abandoned me
2014 Warm-Hearted Eyes
2015 Andryukha
2015 Still Young
2015 Tower of Silence
2017 Closeness
2017 The Life Of My Friend
2019 Beanpole
???? Butterfly Jam
Director of Photography:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 She Is Waiting
2014 Slightly Opening The Door
2014 They abandoned me
2014 Warm-Hearted Eyes
2015 Adiyukh
2015 Andryukha
2015 Still Young
2015 Tower of Silence
2017 Closeness
2017 The Life Of My Friend
2019 Beanpole
???? Butterfly Jam
Editor:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 She Is Waiting
2014 Slightly Opening The Door
2014 They abandoned me
2014 Warm-Hearted Eyes
2015 Adiyukh
2015 Andryukha
2015 Still Young
2015 Tower of Silence
2017 Closeness
2017 The Life Of My Friend
2019 Beanpole
???? Butterfly Jam
Screenplay:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 She Is Waiting
2014 Slightly Opening The Door
2014 They abandoned me
2014 Warm-Hearted Eyes
2015 Adiyukh
2015 Andryukha
2015 Still Young
2015 Tower of Silence
2016 Sofichka
2017 Closeness
2017 The Life Of My Friend
2019 Beanpole
???? Butterfly Jam
Writer:
2013 The Sky Seemed Too High
2014 A Tree Without Roots
2014 Army
2014 First I
2014 She Is Waiting
2014 Slightly Opening The Door
2014 They abandoned me
2014 Warm-Hearted Eyes
2015 Adiyukh
2015 Andryukha
2015 Still Young
2015 Tower of Silence
2016 Sofichka
2017 Closeness
2017 The Life Of My Friend
2019 Beanpole
???? Butterfly Jam
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.