A work in constant progress (and occasional regress).
Birthplace:
Rapallo, Genoa, Italy
Born:
April 20, 1947
Massimo Bacigalupo (Rapallo, Genoa, Italy, 1947). His first works were produced for the local Amateur Film Club. For some years he helped organize the Rapallo International Amateur Film Festival. In 1966 his feature Quasi una tangente was awarded first prize in the Montecatini Film Festival. Bacigalupo, who was nineteen-year-old at the time, remembers that he was sitting in the audience with Lillian Gish and Anita Loos, who happened to be visiting Montecatini (Lillian was a friend of Massimo’s parents). Early on, through his personal acquaintance with poet Ezra Pound, Bacigalupo met film-makers and associates of the New American Cinema, among them Guy Davenport, Stan Brakhage, Gregory Markopoulos, Jonas Mekas, and Abbott Meader. In 1970 he prepared an Italian translation of Brakhage’s Metaphors on Vision. He brought to Rapallo in 1964 a selection of American films, among them works by Ron Rice and Maya Deren, which made a lasting impression. In 1966-71 he was a university student in Rome, where he was a founding member of the Italian Film-makers’ Cooperative, and was involved in producing and distributing independent films. In 1968 he shot 200 Feet for March 31, an uncut and silent 8mm film- happening. He went on in 1969-70 to create Eringio, a series of four films running over two hours. The title refers to Dürer’s self-portrait, and this film quartet amounts to a collective self-portrait of the student and art world in Italy at the time. The longest film of the series, Migration, a celebration of the Great Mother and her many incarnations, was premiered at the 1970 London Film Festival. Bacigalupo travelled with a showcase of Italian underground films to Denmark, Sweden, Germany (1970), and later Spain (1974) and England (Tate Gallery, 1983). He enrolled as a graduate student at Columbia University, receiving his Ph.D. in American literature in 1975. Warming Up, a color film shot in Italy and America, was premiered at the Anthology Film Archives, NYC, on Bacigalupo's 26th birthday, April 20, 1973. In 1975 he shot Postcards from America, a dream travelogue, and Into the House, an homage to his American mother’s family. Subsequently Bacigalupo has been chiefly active as a scholar, critic and educator. He is Professor of American Literature at the University of Genoa and has received numerous awards for his work as a translator, chiefly of English and American poetry. He lives in Rapallo.
Director:
1965 Lilian
1966 Almost a Tangent
1967 Ariel loquitur
1968 200 Feet for March 31st
1968 Un dittico ed un intervento
1968 Versus
1969 Her
1969 The Last Summer
1969 Tutto, tutto nello stesso istante
1970 Coda
1970 Fiore d'eringio
1970 Migration
1970 Né bosco (una conversazione)
1970 Paphos
1973 Warming Up
1975 Postcard from America
1979 Frammento Catanese
1989 Tonino e le galline
2010 Con Ezra Pound a Venezia
2010 Into the House
2016 14Reels
2019 Ricercar
Editor:
1965 Lilian
1966 Almost a Tangent
1967 Ariel loquitur
1968 200 Feet for March 31st
1968 Un dittico ed un intervento
1968 Versus
1969 Her
1969 The Last Summer
1969 Tutto, tutto nello stesso istante
1970 Coda
1970 Fiore d'eringio
1970 Migration
1970 Né bosco (una conversazione)
1970 Paphos
1973 Warming Up
1975 Postcard from America
1979 Frammento Catanese
1989 Tonino e le galline
2010 Con Ezra Pound a Venezia
2010 Into the House
2016 14Reels
2019 Ricercar
Writer:
1965 Lilian
1966 Almost a Tangent
1967 Ariel loquitur
1968 200 Feet for March 31st
1968 Un dittico ed un intervento
1968 Versus
1969 Her
1969 The Last Summer
1969 Tutto, tutto nello stesso istante
1970 Coda
1970 Fiore d'eringio
1970 Migration
1970 Né bosco (una conversazione)
1970 Paphos
1973 Warming Up
1975 Postcard from America
1979 Frammento Catanese
1989 Tonino e le galline
2010 Con Ezra Pound a Venezia
2010 Into the House
2016 14Reels
2019 Ricercar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.