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Pia Epremian

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Alias:
Pia Epremian De Silvestris

Birthplace:
Chivasso, Turin, Italy

Biography from TheMovieDB

(Chivasso, Turin, 1940), only woman filmmaker of the CCI, she spent time on the Turin art scene in the 1960s with her childhood friend and confederate Tonino De Bernardi. Her degree thesis on Proust formed the basis of her first film Proussade 1967, followed by other short and medium-length films, all in 8mm until 1971, when she stop making films. She then moved to Rome to concentrate on psychoanalysis, specialising in the treatment of children and teenagers.

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Additional information:

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Film Performances

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Film Production

Director:
1967  Antonio delle nevi
1967  Proussade
1968  Doppio suicidio
1968  Pistoletto & Sotheby's
1969  Le vin de la paresse
1969  Medea
1969  Tutto, tutto nello stesso istante
1970  Dissolvimento
1970  Infiniti sufficienti

Writer:
1967  Antonio delle nevi
1967  Proussade
1968  Doppio suicidio
1968  Pistoletto & Sotheby's
1969  Le vin de la paresse
1969  Medea
1969  Tutto, tutto nello stesso istante
1970  Dissolvimento
1970  Infiniti sufficienti

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.