A work in constant progress (and occasional regress).
Birthplace:
Akron, Ohio, USA
Paul Tazewell is an American costume designer for the theatre, dance, and opera and television. After training at New York University Tisch School of the Arts he started his career on Broadway. He went on to win a Tony Award and a Emmy Award as well as a nomination for an Academy Award. Tazewell made his Broadway debut as a costume designer with Bring in 'Da Noise, Bring in 'Da Funk in 1996. He went on to receive the Tony Award for Best Costume Design of a Musical for Lin-Manuel Miranda's Hamilton (2016). His other Tony-nominated works include The Color Purple (2006), In the Heights (2008), Memphis (2010), A Streetcar Named Desire (2012), Ain't Too Proud (2019), MJ (2022), and Suffs (2024). He is also the first African American male costume designer to be nominated for the Academy Award for Best Costume Design, for his work on Steven Spielberg's 2021 film version of West Side Story. He received a Primetime Emmy Award for his work on The Wiz Live! (2016). Description above from the Wikipedia article Paul Tazewell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Costume Design:
2004 Elaine Stritch at Liberty
2011 Memphis
2017 The Immortal Life of Henrietta Lacks
2019 Harriet
2020 Hamilton
2021 West Side Story
2022 Mr. Saturday Night
2024 Wicked
2025 Wicked Part Two
Costume Designer:
2004 Elaine Stritch at Liberty
2009 The Gershwins' Porgy and Bess
2011 Gounod: Faust
2011 Memphis
2017 The Immortal Life of Henrietta Lacks
2019 Harriet
2020 Hamilton
2021 West Side Story
2022 Mr. Saturday Night
2024 Wicked
2025 Wicked Part Two
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.