A work in constant progress (and occasional regress).
Birthplace:
Belgrade, Serbia, Yugoslavia
Born:
June 12, 1927
Died:
February 25, 2012
Aleksandar Ilić was a Serbian editor, director and screenwriter, famous for his documentaries. He edited over 300 movies, directed over 50, and wrote over 40 movies.
Director:
1968 Embryo
1972 Ice
1973 The Owl
1974 The Snare
1975 The Passion
1976 Tree Trunk
1977 The Mallet
1978 Idyll
1980 Earthquake
Editor:
1951 On the Border
1955 In the Shadow of Magic
1965 The Arrival
1966 Adio mare
1966 Little Light
1968 Back to His Native Woods
1968 Embryo
1969 Homo sapiens
1970 Homo homini
1970 Pull!
1970 Terrorists
1971 In continuo
1971 The Death of Djurica the Peasant
1972 A Day More
1972 Ice
1972 Judas
1972 Love
1972 Silences
1973 Joseph Schultz
1973 Power
1973 The Owl
1974 Manifesto for Freedom
1974 The Snare
1975 Good Luck!
1975 The Passion
1976 Tree Trunk
1977 The Mallet
1977 Tito's Užice
1978 Destinies
1978 Idyll
1980 Earthquake
1980 Josip Broz Tito
1981 Season of Peace in Paris
1982 Persecution
1984 Romeo and Juliet
Writer:
1951 On the Border
1955 In the Shadow of Magic
1965 The Arrival
1966 Adio mare
1966 Little Light
1968 Back to His Native Woods
1968 Embryo
1969 Homo sapiens
1970 Homo homini
1970 Pull!
1970 Terrorists
1971 In continuo
1971 The Death of Djurica the Peasant
1972 A Day More
1972 Ice
1972 Judas
1972 Love
1972 Silences
1973 Joseph Schultz
1973 Power
1973 The Owl
1974 Manifesto for Freedom
1974 The Snare
1975 Good Luck!
1975 The Passion
1976 Tree Trunk
1977 The Mallet
1977 Tito's Užice
1978 Destinies
1978 Idyll
1980 Earthquake
1980 Josip Broz Tito
1981 Season of Peace in Paris
1982 Persecution
1984 Romeo and Juliet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.