Aleksandar Ilić (1927-2012)

Birthplace:
Belgrade, Serbia, Yugoslavia

Born:
June 12, 1927

Died:
February 25, 2012

Aleksandar Ilić was a Serbian editor, director and screenwriter, famous for his documentaries. He edited over 300 movies, directed over 50, and wrote over 40 movies.

Additional information:

The Search Form


Director:
1968  Embryo
1972  Ice
1973  The Owl
1974  The Snare
1975  The Passion
1976  Tree Trunk
1977  The Mallet
1978  Idyll
1980  Earthquake

Editor:
1951  On the Border
1955  In the Shadow of Magic
1965  The Arrival
1966  Adio mare
1966  Little Light
1968  Back to His Native Woods
1968  Embryo
1969  Homo sapiens
1970  Homo homini
1970  Pull!
1970  Terrorists
1971  In continuo
1971  The Death of Djurica the Peasant
1972  A Day More
1972  Ice
1972  Judas
1972  Love
1972  Silences
1973  Joseph Schultz
1973  Power
1973  The Owl
1974  Manifesto for Freedom
1974  The Snare
1975  Good Luck!
1975  The Passion
1976  Tree Trunk
1977  The Mallet
1977  Tito's Užice
1978  Destinies
1978  Idyll
1980  Earthquake
1980  Josip Broz Tito
1981  Season of Peace in Paris
1982  Persecution
1984  Romeo and Juliet

Writer:
1951  On the Border
1955  In the Shadow of Magic
1965  The Arrival
1966  Adio mare
1966  Little Light
1968  Back to His Native Woods
1968  Embryo
1969  Homo sapiens
1970  Homo homini
1970  Pull!
1970  Terrorists
1971  In continuo
1971  The Death of Djurica the Peasant
1972  A Day More
1972  Ice
1972  Judas
1972  Love
1972  Silences
1973  Joseph Schultz
1973  Power
1973  The Owl
1974  Manifesto for Freedom
1974  The Snare
1975  Good Luck!
1975  The Passion
1976  Tree Trunk
1977  The Mallet
1977  Tito's Užice
1978  Destinies
1978  Idyll
1980  Earthquake
1980  Josip Broz Tito
1981  Season of Peace in Paris
1982  Persecution
1984  Romeo and Juliet

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.