Deborah S. Phillips

Gallery Unavailable

Alias:
DSP

DSP works in number of different fields: as an artist (who makes 2-, 3-, & 4-D images) as well as a translator and voice-over artist…  from 1988 – 2001, she was an active member of the Braunschweig-based artists‘ collective LABORATORIUM, where she also started working with film as one of her materials, all the while continuing to paint, make artists‘ books, installations and more. her film BREAD was included in the Goethe Institut’s programme Deutsche Experimentalfilme der 90er Jahre. in 2007 she was one of the co-founders of what is now known as Kunstverein Neukölln, a gallery and centre of different forms of artistic activities.  she conducted research into the colours red, blue and green for more than 10 years. CAPSICUM is a 16mm film accompanied by a red book. A 16mm-&-slide-collage-performance, series of paintings and book explore blue. Research into the last of 3 additive colours of light, green, was completed in 2017; a film called „Im grünen Bereich“, a green book & a series of green works-on-paper complete the trilogy… this, and more are now detailed in her comprehensive catalogue, completed in May 2018

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.