A work in constant progress (and occasional regress).
Birthplace:
Borderau, France
Born:
September 6, 1921
Died:
June 7, 2007
Michel Fermaud was a French author, screenwriter, and film director. He co-directed Les portes claquent (1960) with Jacques Poitrenaud and co-wrote the screenplay for François Truffaut's The Man Who Loved Women (1977). Fermaud's work often explored themes of love and human relationships, contributing to the French New Wave cinema movement. His collaborations with notable directors and his own directorial ventures reflect his significant role in mid-20th-century French cinema.
Director:
1960 The Door Slams
1983 Vous habitez chez vos parents ?
First Assistant Director:
1958 The Overworked
1960 The Door Slams
1983 Vous habitez chez vos parents ?
Novel:
1958 The Overworked
1960 The Door Slams
1966 Les portes claquent
1983 Vous habitez chez vos parents ?
Original Film Writer:
1958 The Overworked
1960 The Door Slams
1966 Les portes claquent
1983 The Man Who Loved Women
1983 Vous habitez chez vos parents ?
Screenplay:
1958 The Overworked
1960 The Door Slams
1964 Clémentine chérie
1966 Les portes claquent
1977 The Man Who Loved Women
1983 The Man Who Loved Women
1983 Vous habitez chez vos parents ?
Theatre Play:
1958 The Overworked
1960 The Door Slams
1964 Clémentine chérie
1966 Les portes claquent
1977 The Man Who Loved Women
1983 The Man Who Loved Women
1983 Vous habitez chez vos parents ?
Writer:
1958 The Overworked
1960 The Door Slams
1964 Clémentine chérie
1966 Les portes claquent
1968 Match
1977 The Man Who Loved Women
1983 The Man Who Loved Women
1983 Vous habitez chez vos parents ?
2010 Les Portes Claquent
Creator:
1977 Cinq à sec
Novel:
1966 At Theatre Tonight
1977 Cinq à sec
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.