A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Distrito Federal, Mexico
Born:
July 8, 1984
Carlos Algara graduated with a B.A. from The Technological Institute of Higher Education of Monterrey, Mexico. His first short film, The Intruder (2010), was released at the 13th Shanghai Int. Film Festival. It was also selected at the 41st Int. Film Festival of India and was awarded the "Silver Goat" at the 6th Monterrey Int. Film Festival. In March of 2011 him and fellow director, Alejandro Martinez-Beltran created the production company The Visualistas, in Los Angeles and Monterrey, Mexico. Their first collaboration, a short film called El firulete (2011), was screened at several festivals, including Warsaw Film Festival, Raindance Film Festival, and Morelia Int. Film Festival, among others. In August 2012, Carlos graduated with a degree on Writing for Film and Television at the Vancouver Film School. In March 2015, him and fellow director, Alejandro Martinez-Beltran co-directed their first feature film called Veronica (2017) which is scheduled for theatrical release in Mexico in August, 2017. Throughout the second half of 2015, Carlos co-created the TV Series Blue Demon (2016) with partner Alejandro Martinez-Beltran.
Director:
2017 Veronica
2019 My Brother Luca
Post Production Coordinator:
2017 Veronica
2018 La Leyenda del Diamante
2019 My Brother Luca
Post-Production Manager:
2017 Veronica
2018 La Leyenda del Diamante
2019 Belmonte
2019 My Brother Luca
Screenplay:
2017 Veronica
2018 La Leyenda del Diamante
2019 Belmonte
2019 My Brother Luca
Creator:
2016 Blue Demon
2024 El extraño retorno de Diana Salazar
Writer:
2016 Blue Demon
2019 Dani Who?
2024 El extraño retorno de Diana Salazar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.