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Josias Teófilo (b. 1987)

Birthplace:
Recife, Pernambuco, Brazil

Born:
August 27, 1987

Biography from TheMovieDB

Josias Saraiva Monteiro Teófilo (born August 27, 1987, in Recife, Brazil) is a Brazilian filmmaker, journalist, writer, photographer, and film director noted for his award-winning documentaries and cultural contributions. He gained recognition with his debut short film Quarteto Simbólico (2013), which was featured at over 30 national festivals and won Best Formation Documentary at Recife’s Festcine. In 2014, he published O Cinema Sonhado, an acclaimed essayistic biography on his grandfather Pedro Teófilo Batista, earning the Antônio de Brito Alves award. Teófilo’s feature The Garden of Afflictions (2017), co-directed with Matheus Bazzo, delves into philosophical themes and received top honors for Best Film at Cine PE. He also directed Nem Tudo Se Desfaz (2021), a documentary exploring Brazil’s recent political transformations, and continues working on Iconostasis, a film connecting Tarkovsky's cinema with Russian icon tradition. A prolific cultural voice, he contributes to Revista Continente and Crusoé, hosts lectures, and holds national honors such as the Medal of Literary Merit from the Brazilian National Library.

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Film Production

Director:
2013  Quarteto Simbólico
2017  The Garden of Afflictions
2021  Nem Tudo se Desfaz

Director of Photography:
2013  Quarteto Simbólico
2017  The Garden of Afflictions
2021  Nem Tudo se Desfaz

Editor:
2013  Quarteto Simbólico
2017  The Garden of Afflictions
2021  Nem Tudo se Desfaz

Screenplay:
2013  Quarteto Simbólico
2017  The Garden of Afflictions
2021  Nem Tudo se Desfaz

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.