A work in constant progress (and occasional regress).
Alias:
J.C. Bustamante
Camera Operator:
2009 Teresa
Director:
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
2000 El vecino
2003 El último disparo del Negro Chávez
2009 Teresa
Director of Photography:
1976 And If You Are a Women
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
2000 El vecino
2003 El último disparo del Negro Chávez
2004 El aspado
2004 Unfaithful Women
2009 Teresa
2013 El Derechazo
2015 El inquisidor
Editor:
1976 And If You Are a Women
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
2000 El vecino
2003 El último disparo del Negro Chávez
2004 El aspado
2004 Unfaithful Women
2009 Teresa
2013 El Derechazo
2015 El inquisidor
Screenplay:
1976 And If You Are a Women
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
2000 El vecino
2003 El último disparo del Negro Chávez
2004 El aspado
2004 Unfaithful Women
2009 Teresa
2013 El Derechazo
2015 El inquisidor
Teleplay:
1976 And If You Are a Women
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
2000 El vecino
2003 El último disparo del Negro Chávez
2004 El aspado
2004 Unfaithful Women
2009 Teresa
2013 El Derechazo
2015 El inquisidor
Thanks:
1976 And If You Are a Women
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
1999 Revenge
2000 El vecino
2003 El último disparo del Negro Chávez
2004 El aspado
2004 Unfaithful Women
2009 Teresa
2013 El Derechazo
2015 El inquisidor
Writer:
1976 And If You Are a Women
1980 Domingo de Gloria
1983 El Maule
1989 Lizards' Tales
1999 Revenge
2000 El vecino
2003 El último disparo del Negro Chávez
2004 El aspado
2004 Unfaithful Women
2009 Teresa
2013 El Derechazo
2015 El inquisidor
Director of Photography:
2010 Cartas de mujer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.