A work in constant progress (and occasional regress).
Alias:
久保田幸雄
久保田幸男
Original Music Composer:
2004 The Face of Jizo
Sound:
1968 East China Sea
1969 Prehistory of the Partisans
1970 Sanrizuka: The Three Day War
1971 Minamata: The Victims and Their World
1973 Coup d'Etat
1975 Dokkoi! Songs from the Bottom
1977 Sanrizuka: The Sky of May
1981 Fruits of Passion
1984 All Must Live: People, Insects and Birds
1985 People of Rokkasho
1987 Magino Village: A Tale
1991 Shigara kikara fuite kuru kaze
1992 Living on the River Agano
1999 Artists in Wonderland
2002 A Boy's Summer in 1945
2002 Tibet 2002
2004 The Face of Jizo
2007 Cinema Is about Documenting Lives: The Works and Times of Noriaki Tsuchimoto
Sound Designer:
1968 East China Sea
1969 Prehistory of the Partisans
1970 Sanrizuka: The Three Day War
1971 Minamata: The Victims and Their World
1973 Coup d'Etat
1975 Dokkoi! Songs from the Bottom
1977 Sanrizuka: The Sky of May
1981 Fruits of Passion
1984 All Must Live: People, Insects and Birds
1985 People of Rokkasho
1987 Magino Village: A Tale
1991 Shigara kikara fuite kuru kaze
1992 Living on the River Agano
1999 Artists in Wonderland
2002 A Boy's Summer in 1945
2002 Tibet 2002
2004 The Face of Jizo
2007 Cinema Is about Documenting Lives: The Works and Times of Noriaki Tsuchimoto
2010 Caterpillar
Sound Mixer:
1968 East China Sea
1969 Prehistory of the Partisans
1970 Sanrizuka: The Three Day War
1971 Minamata: The Victims and Their World
1973 Coup d'Etat
1975 Dokkoi! Songs from the Bottom
1977 Sanrizuka: The Sky of May
1981 Fruits of Passion
1984 All Must Live: People, Insects and Birds
1985 People of Rokkasho
1987 Magino Village: A Tale
1991 Shigara kikara fuite kuru kaze
1992 Living on the River Agano
1993 Singapore Sling
1999 Artists in Wonderland
2002 A Boy's Summer in 1945
2002 Tibet 2002
2004 The Face of Jizo
2007 Cinema Is about Documenting Lives: The Works and Times of Noriaki Tsuchimoto
2010 Caterpillar
Sound Recordist:
1967 Impasse
1968 East China Sea
1969 Aido: Slave of Love
1969 Eros + Massacre
1969 Prehistory of the Partisans
1970 Sanrizuka: The Three Day War
1971 Minamata: The Victims and Their World
1971 The Gentle Japanese
1973 Coup d'Etat
1974 Extreme Private Eros: Love Song 1974
1975 Dokkoi! Songs from the Bottom
1975 Preparation for the Festival
1977 Sanrizuka: The Sky of May
1978 At Noon
1978 Puppets Under Starry Skies
1978 Third Base
1979 No More Easy Life
1980 Four Seasons: Natsuko
1981 Fruits of Passion
1981 Love Letter
1982 Jealousy Game
1982 The Rape
1983 The Second Love
1984 All Must Live: People, Insects and Birds
1984 The Wangan Highway
1985 People of Rokkasho
1986 Metamorphosis
1987 Magino Village: A Tale
1988 Wuthering Heights
1989 Death of a Tea Master
1989 It's Easier Than Kissing
1991 Shigara kikara fuite kuru kaze
1992 Living on the River Agano
1993 Singapore Sling
1998 The Hidden Festival
1999 Artists in Wonderland
2002 A Boy's Summer in 1945
2002 Tibet 2002
2003 My Grandpa
2004 The Face of Jizo
2006 The Blossoming of Etsuko Kamiya
2007 Cinema Is about Documenting Lives: The Works and Times of Noriaki Tsuchimoto
2009 Golden Flower: What Is Hidden Is the True Flower, What Is Gone Is the Butterfly
2010 Caterpillar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.