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Egor Povolotskiy

Alias:
Егор Поволоцкий

Birthplace:
Russia

Biography from TheMovieDB

Egor Povolotskiy is a Russian cinematographer. In 2008, he received an Artificial Intelligence Master’s Degree from Moscow Engineering and Physics Institute (MEPHI). He worked as a Photojournalist for ITAR -TASS in Moscow, a photographer for the Marriot Hotels in Russia and for the Russian Association of Motorcyclists. He began working in the film industry as a behind the scenes and 2nd unit photographer and decided to go back to school to become a DP. He earned a Master of Fine Arts in Cinematography from the New York Film Academy in 2014.

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Additional information:

The Search Form


Film Production

Cinematography:
2015  Sabre Dance
????  Chasing Nightmares

Director of Photography:
2014  Red, Blue and Purple
2015  Sabre Dance
2016  Bornless Ones
2016  Ocean
2017  Finding Mother
2018  Catalyst
2018  River Runs Red
2018  Tree House Time Machine
2019  The Farm
2019  The Narrator
2022  First Oscar
2022  The Land of Sasha
2023  Alhamour H.A.
2024  Liar
2025  Absolute Dominion
????  Chasing Nightmares
????  Visitors

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.