Gonzalo F. Berridi

Gallery Unavailable

Alias:
Gonzalo Berridi
Gonzalo Fernández Berridi
Gonzalo Fernández Berridy
Gonzalo Fernández-Berridi
Kalo Berridi
Kalo F. Berridi

Additional information:

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Camera Operator:
1987  Divine Words

Cinematography:
1987  Divine Words
1988  Chronicle of the Carlist War (1872-1876)
1992  Huntza
1996  Best Seller (El Premio)
2009  Perfect Happiness
2010  Stars to Wish Upon
2013  Amaren eskuak
2016  Kalebegiak
2017  For the Good Times
2022  What Lucia Saw

Director of Photography:
1987  Divine Words
1987  Six on the Dot
1988  Chronicle of the Carlist War (1872-1876)
1988  Martín
1989  Ander eta Yul
1991  The People at Universal
1992  Huntza
1992  Off-eko maitasuna
1993  The Red Squirrel
1994  After All These Years
1994  Maité
1996  Best Seller (El Premio)
1997  Airbag
1997  Blinded
1998  La isla del Infierno
1998  Lovers of the Arctic Circle
1999  Plenilune
1999  Sí, quiero...
2002  Carol's Journey
2003  Two Tough Guys
2004  Say I Do
2007  ¿Y tú quién eres?
2008  The good news
2008  Todos estamos invitados
2009  Perfect Happiness
2010  Stars to Wish Upon
2012  La conspiración
2012  Orange Honey
2013  Amaren eskuak
2014  Spanish Affair
2016  Kalebegiak
2017  For the Good Times
2019  The Accordionist's Son
2022  What Lucia Saw

Photoscience Manager:
1987  Divine Words
1987  Six on the Dot
1988  Chronicle of the Carlist War (1872-1876)
1988  Martín
1989  Ander eta Yul
1991  The People at Universal
1992  Huntza
1992  Off-eko maitasuna
1993  The Red Squirrel
1994  After All These Years
1994  Maité
1996  Best Seller (El Premio)
1997  Airbag
1997  Blinded
1998  La isla del Infierno
1998  Lovers of the Arctic Circle
1999  Plenilune
1999  Sí, quiero...
2002  Carol's Journey
2003  Two Tough Guys
2004  Say I Do
2007  ¿Y tú quién eres?
2008  A Tram in SP
2008  The good news
2008  Todos estamos invitados
2009  Perfect Happiness
2010  Stars to Wish Upon
2012  La conspiración
2012  Orange Honey
2013  Amaren eskuak
2014  Spanish Affair
2016  Kalebegiak
2017  For the Good Times
2019  The Accordionist's Son
2022  What Lucia Saw

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.