Vicky Smith

Gallery Unavailable

Vicky Smith's (UK) work in experimental animation explores the vulnerable and vital body. Her work has screened internationally in galleries and festivals including, in 2021: A Picture of Health at Arnolfini Gallery, Bristol; Raw Vision in Splash, Scratch, Dunk! Films Made by Hand at London Barbican; and Bodies and Boundaries, Cinenova UK. She runs workshops in experimental film practice and has curated many film screenings, including recently Go, Go, Go! Women in Experimental Animation (2019). Publications include: Hand Drawn and Non-Natural Colour in Films by Barbara Hammer and Sandra Lahire in Animation Studies Online (2021); Experimental & Expanded Animation: Current Perspectives and Practices, co-edited with Nicky Hamlyn (2018), and in Animation Practice, Production & Process, Issue 7 (2019).

Additional information:

The Search Form


Animation:
1997  Rash

Director:
1989  The Pecking Order
1995  My Moon, Her World
1997  Rash
2014  Noisy Licking Dribbling + Spitting
2016  Primal
2018  Small Things Moving in Unison
2019  Not (a) Part
2021  re:exposure
2024  Shedding

Co-Producer:
1999  Downtown

Producer:
1999  Downtown

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.