Yann-Manuel Hernandez

Born in Guatemala and raised in Quebec, Yann-Manuel Hernandez is a Montreal-based independent cinematographer/director/producer known for Desert's Cry (2016), The Evaporated (2019), Jungle (2022) and several music videos for artists such as Plants and Animals, SUUNS, Carla Blanc and others. He studied the work of director Philippe Grandrieux during his master's degree at the University of Montreal and directed his first feature film, Desert's Cry, through Telefilm Canada's Talents to Watch program. Desert's Cry was selected as the opening film of the New Alchemists section of the Festival du Nouveau Cinéma. Since then, Yann has written and directed various short fiction and contemporary dance projects (Louise Bédard, Catherine Gaudet, Mélanie Demers...) that have toured international festivals (Dresden Filmfest, FIFA, Golden Horse, Fantasia, Trouville...). As a director of photography, he has collaborated on the flagship video work for the Leonard Cohen exhibition at the Musée d'Art Contemporain de Montréal by South African artist Candice Breitz, as well as on several award-winning documentaries and music videos (Metafilms, Secret City, Opak Médias, Moment Factory...). In 2023, he will sign the visuals of the new Elisapie show shot in Nunavik. Over the years, his work has won awards from the Canadian Society of Cinematographers, Panavision and Kodak. In 2016, he founded his film production company Les mains sales films with filmmaker Charles-André Coderre to support projects that cross genres and experiment with forms, media (digital/film) and storytelling.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.