A work in constant progress (and occasional regress).
Alias:
Charles-Andre Coderre
Charles-André Coderre lives and works in Montreal. He makes films and works on 16mm live projections for several film and music performances. His films are distributed by Light Cone (Paris), CFMDC (Toronto) and Vidéographe (Montréal). Since 2017, he co-organizes the OK LÀ! music & expanded cinema series in Verdun (Canada).
Cinematography:
???? Marquer les fins
Director:
2011 De quel sommeil reviendrons-nous?
2013 45
2014 H2T
2014 Jerusalem in my Heart
2015 Gazelles In Flight
2016 Déserts
2016 Granular Film - Beirut
2020 Particles
2021 EX PO
2021 L'ocelle mare
2021 Reminiscences of 15 musicians in Beirut attempting a re-imagination of the Egyptian classic Ya Garat Al Wadi
2022 La noirceur souterraine des racines
2024 Fractures Chimiques – ON/OFF
2024 Y'a matière au pays des éclairs
???? Fractures chimiques
???? Marquer les fins
???? Montréal/Sutton
Director of Photography:
2011 De quel sommeil reviendrons-nous?
2013 45
2014 H2T
2014 Jerusalem in my Heart
2015 Gazelles In Flight
2016 Déserts
2016 Granular Film - Beirut
2020 Particles
2021 EX PO
2021 L'ocelle mare
2021 Reminiscences of 15 musicians in Beirut attempting a re-imagination of the Egyptian classic Ya Garat Al Wadi
2022 La noirceur souterraine des racines
2024 Fractures Chimiques – ON/OFF
2024 Y'a matière au pays des éclairs
???? Fractures chimiques
???? Marquer les fins
???? Montréal/Sutton
Editor:
2011 De quel sommeil reviendrons-nous?
2011 El Camino
2013 45
2014 H2T
2014 Jerusalem in my Heart
2015 Gazelles In Flight
2016 Déserts
2016 Granular Film - Beirut
2020 Particles
2021 EX PO
2021 L'ocelle mare
2021 Reminiscences of 15 musicians in Beirut attempting a re-imagination of the Egyptian classic Ya Garat Al Wadi
2022 La noirceur souterraine des racines
2024 Fractures Chimiques – ON/OFF
2024 Y'a matière au pays des éclairs
???? Fractures chimiques
???? Marquer les fins
???? Montréal/Sutton
Film Processor:
2011 De quel sommeil reviendrons-nous?
2011 El Camino
2013 45
2014 H2T
2014 Jerusalem in my Heart
2015 Gazelles In Flight
2016 Déserts
2016 Granular Film - Beirut
2020 Particles
2021 EX PO
2021 L'ocelle mare
2021 Reminiscences of 15 musicians in Beirut attempting a re-imagination of the Egyptian classic Ya Garat Al Wadi
2022 La noirceur souterraine des racines
2024 Fractures Chimiques – ON/OFF
2024 Y'a matière au pays des éclairs
???? Fractures chimiques
???? Marquer les fins
???? Montréal/Sutton
Producer:
2011 De quel sommeil reviendrons-nous?
2011 El Camino
2013 45
2014 H2T
2014 Jerusalem in my Heart
2015 Gazelles In Flight
2016 Déserts
2016 Granular Film - Beirut
2020 Particles
2020 Storm Child
2021 EX PO
2021 L'ocelle mare
2021 Reminiscences of 15 musicians in Beirut attempting a re-imagination of the Egyptian classic Ya Garat Al Wadi
2022 La noirceur souterraine des racines
2024 Fractures Chimiques – ON/OFF
2024 Y'a matière au pays des éclairs
???? Fractures chimiques
???? Marquer les fins
???? Montréal/Sutton
Writer:
2011 De quel sommeil reviendrons-nous?
2011 El Camino
2013 45
2014 H2T
2014 Jerusalem in my Heart
2015 Gazelles In Flight
2016 Déserts
2016 Granular Film - Beirut
2020 Particles
2020 Storm Child
2021 EX PO
2021 L'ocelle mare
2021 Reminiscences of 15 musicians in Beirut attempting a re-imagination of the Egyptian classic Ya Garat Al Wadi
2022 La noirceur souterraine des racines
2024 Fractures Chimiques – ON/OFF
2024 Y'a matière au pays des éclairs
???? Fractures chimiques
???? Marquer les fins
???? Montréal/Sutton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.