A work in constant progress (and occasional regress).
Alias:
Steve Beck
A pioneer in video technology and image processing, artist and engineer Stephen Beck developed one of the first video synthesizers — the Beck Direct Video Synthesizer. Designed in 1969, this device electronically fused moving color imagery with recorded visual material in real time. Beck used his synthesizer to merge music and image in performance collaborations with musicians such as Warner Jepson and Jordan Belson. In 1974, he designed the Video Weaver, a digital video computer with "warps" and "wefts" based on traditional textile looms. Fusing art and technology, Beck's pure abstractions of moving light and color form a link between the kinetic and Op art movements and the electronic medium of video. Beck was born in 1950. He studied music and electronic engineering at the University of Illinois, Urbana, and the University of California at Berkeley. His work has been exhibited at the Berkeley Art Museum/Pacific Film Archives, Smithsonian American Art Museum, LACMA, and at the Smithsonian Institution Hirshorn Museum and Sculpture Garden. His work has been broadcasted on PBS-TV networks and his two works UNION and CYCLES were acquired from the Smithsonian American Art Museum in 2016. Beck has received grants from Pix Italia, the CINE Gold Eagle, the National Endowment for the Arts, the Rockefeller Foundation and the American Film Institute. He was an artist-in-residence at the National Center for Experiments in Television (NCET), San Francisco, 1970-73. He was founding member of Chicago's Experiments in Art and Technology in 1968. He currently is president of Electron Video Creations, which is affiliated with Beck-Tech, an electronic design and consulting company he formed in 1978. He lives in Berkeley, California.
Animation:
1974 Anima
1974 Video Weavings
2011 NOOR (Light)
Cinematography:
1974 Anima
1974 Video Weavings
2011 NOOR (Light)
Director:
1971 Methods
1972 Conception
1972 Illuminated Music #1
1972 Illuminated Music II
1973 Illuminated Music III
1974 Anima
1974 Cycles
1974 Video Weavings
1975 Union
1975 Union
1985 Lone Breaker
2011 NOOR (Light)
Music:
1971 Methods
1972 Conception
1972 Illuminated Music #1
1972 Illuminated Music II
1973 Illuminated Music III
1974 Anima
1974 Cycles
1974 Video Weavings
1975 Union
1975 Union
1985 Lone Breaker
2011 NOOR (Light)
Producer:
1971 Methods
1972 Conception
1972 Illuminated Music #1
1972 Illuminated Music II
1973 Illuminated Music III
1974 Anima
1974 Cycles
1974 Video Weavings
1975 Union
1975 Union
1985 Lone Breaker
2011 NOOR (Light)
Software Engineer:
1971 Methods
1972 Conception
1972 Illuminated Music #1
1972 Illuminated Music II
1973 Illuminated Music III
1974 Anima
1974 Cycles
1974 Video Weavings
1975 Union
1975 Union
1985 Lone Breaker
2011 NOOR (Light)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.